|
There're a lot of notation issues with your score.
Measure 3, right hand: when that rhythm pops up, use a dotted 8th note rest before the 16th note.
Measure 28, right hand again: you need to break the dotted 8th note into a 16th tied to an 8th.
Measure 50 and 52: the "rit" goes ABOVE the staff, not in the middle.
Measure 58, right hand: break the dotted 8th.
Measure 97, right hand: what were you thinking when you wrote that rhythm? re-divide that rhythm into something readable and logical please.
Measure 188, right hand: same thing.
Measure 132: the pedal marking goes beneath the bottom staff. Always.
Measure 134, right hand: do I need to say what the problem here is?
Measure 135, left hand: technically, you are supposd to avoid mixing accidentals. this SHOULD be respelled either all sharps or all flats.
Measure 150: why is there a "pedal off" marking right in the middle of that staff, and after a measure of silence?
Measure 156: guess what the problem here is?
Measure 158: here the problem is you're repeating yourself. No need for a second accel.
Measures 184 and 188: guess.
Measure 190: I highly suggest you respell the G flats to F#. It is more logical for the voice-leading from the E natural of the preceding measure, and avoids that notationally ugly diminished 3rd.
There's a whole bunch of the same notational errors repeating through-out the score, so it's up to you to clean them up now.
__________________
"Those that know, do;
Those that understand, teach."
-Aristotle-
"toute audace engendrée par l'ignorance cesse d'être une audace et devient une maladresse"
-Debussy-
In musical criticism, when issues of craft and technical consideration are set aside, what remains is more subjective. However, until technical issues are dealt with, the subjective portion bears considerably less weight.
|