Hello all!
I'm new to the forum, but with all this talk about fugue-writing, I thought I'd put in a plug for Giorgio Pacchioni's work (
www.giorgiopacchioni.com). I learned counterpoint and fugue from him.
I'll leave you all with another (three-voice) fugue in g minor that I wrote just a couple of weeks ago. Not the best example as it lacks a consistent countersubject. When I write a four-voice fugue, it ultimately ends up as a concerto movement.
Cheers,
Mark