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I've amended the files.
The 3rd last bar had an octave named as a fifth - a curious error. I was doing a lot of experimenting - I should have kept more versions.
The melody had an augmented fourth from bar 6 to bar 7 fixed by a flat on the B in bar 7 to make it perfect.
Yes, I have done some counterpoint before but not with the extra 16th century rules. Avoiding augmented intervals in the melody is a rule I see in my small text on elementary counterpoint now that I have consulted it.
A more interesting exercise than one might think at first glance.
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