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I suppose it might be a flautist's fantasy to be able to play two notes at the same time.
A nice simple poppy melody, a very simple harmony, and no texture in the piano accompanyment - Just whole notes and half notes. There's nothing wrong with this peice. On the other hand, there is nothing memorable about it. You could keep the melody, and start to re-write the piano part and try to put some texture and motion into it. Not a LOT!! Most people would overdo this. Don't fill up the piano part with a constant stream of quarter or eighth notes. You don't want to detract from the melody.
One more suggestion. - In measure 23 move that harmony part (that a single flute player can't play in the first place) and move it into the piano part.
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