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there are some things I'm curious about in the notation.
at measure 46 you have 16th notes written with double stems. I'm curious why you wrote it that way. was it the convergence of 2 series?
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In the absence of the composers comments, and assuming that's exactly what he wanted, I might think that would be the only explanation, right? On the other hand, the presence of double rests in the middle of the measure suggest the possibility that it was simply convenient to do it that way.