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When listening to writing like this for harp - especially one that is scored pretty much diatonically, and texturally scored more chordally than melodically - I can't help but hear a Celtic Harp player playing this and with a folk musicky kind of way. At M. 61 the rythymic drive is almost PoPpy.
My overall impression (having listenened to it only once and in trying to conjuer memories of it) is that I remember it more for it's four chord progression style than for it's melody(s).
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