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Originally Posted by Dunael
Hi there.
By the idiomatically stuff... you mean the text OR or AND the writing for voice ? For there is nothing said that I've seen about writing well the voice for the text. I this that we should evaluate the way the text is brough into music.
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I made mention of these things in one of the earlier posts:
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Differing textures that appropriately highlight the selected text - this includes things like key changes, tempo changes, dynamics, articulation, and even changes in the accompaniment. It also includes effective settings of text - examples: where to use a melody in unison or octaves - or where to switch from two-part writing to four-part.
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And also using more exclusionary language:
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-Poorly executed setting of text - such as the ineffective use of melismas if applicable
-Inappropriately or awkwardly set accents (one of my pet peeves).
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Is this what you mean?