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Well, this will teach me to post a score whilst I'm in the midst of revisions, instead of waiting until I'm actually FINISHED my revisions!
If anyone's actually listened to this score, the only really major change is that I've seriously reworked the Kyrie. The rest of the changes are more cosmetic (typos, corrections of inadvertant parallel 8ves - yes, I still do those every once in a while - and some phrasings I decided to ammend).
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"Those that know, do;
Those that understand, teach."
-Aristotle-
"toute audace engendrée par l'ignorance cesse d'être une audace et devient une maladresse"
-Debussy-
In musical criticism, when issues of craft and technical consideration are set aside, what remains is more subjective. However, until technical issues are dealt with, the subjective portion bears considerably less weight.
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