Oh, Mikey, Mikey, Mikey”¦”¦”¦”¦”¦
The ramblings that you see above, and indeed every other post of mine, are an example of what we jazz folk call IMPROVISATION.
The mood was set by your previous post. We approached the 64 bar passage allocated to me. I had no idea what notes I was going to play next - but they came anyway, in an ecstatic torrent perfectly tailored to the piece in melody, rhythm and timbre.
It is the most
serious business I know !!!!!
However, I didn’t know you had real financial problems or I would never have made a joke about lending money”¦”¦”¦the social equivalent of an inappropriate flattened fifth !!
