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I don't quite know what you mean here, but I'll check again when I have some time.
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Well, for example, in measure 7, G and A are rung at the same time, they're a whole tone apart, so I assumed that G was the root note and it was a suspended second chord. And in measure 13, there's F# and B, a perfect forth, and I took it as B being the root, and it being an inverted fifth.
Thing is, I know the basics of inversion (I think), but I'm kind of confused when it comes to practical uses.
I'd really appreciate it if you went over them with me like I never even heard the word, just to make sure I get over all the wrong ideas I might have had.
And take your time man, no need to rush =)