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I really don't like books or any stuff that tries to "explain" techniques.
You could just grab whatever music you like as example and copy it note for note until you've learned how to reproduce the essence of the effect you liked, or indeed the entire style (when such exists!) if you do this enough.
Composing by ear is nothing to look down upon, and in fact it's sorta the whole point in the end. If something just doesn't sound like you want it to sound, then theory can just go out the window for all you care~
As for picking a good book on this if you NEED one, try to find one with emphasis on actual historical examples. As in, a book based on actual music from composers and examples from them rather than something strictly academic/theoretical. I'm no fan of books which talk about rules or "methods" for this or that.
And in general I recommend analyzing music. Lots of it. Doesn't matter if you can't put names and labels on the chords and things you're hearing, so long as you look at what it's doing and causing. I think the most important thing is trying to recognize what affects you in what way, and then writing down what caused it. Musical-wise of course!
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