Quote:
Originally Posted by DOFTS
You are comparing apple and oranges. Does being a composer effect your personality, or does being a certain personality predispose you to be a composer. Perhaps the later, but hardly the former. Which seems to be what the original post seems to indicate.
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Actually, what I was thinking of was the latter: that it is because of their social awkwardness or shyness or lack of social facility that composers turn to composition. In fact it may be the same for writers. But I am only suggesting. I could be wrong. And I think what I am saying applies to the great composers, or perhaps only some composers. For example, can you imagine an outgoing personality writing Beethoven's last quartets? In his case his deafness also affected his social communication so that he was even more drawn to and concentrated on composition as a means of communicating his innermost thought and ideas to society. And based on this I can argue that his deafness, by limiting his opportunities for social self-expression, played a definitive role in the development of his later compositional language, deepening it to great philosophical depths and a new and unique language that have never since been equaled and are unlikely to. I don't think such a development in his compositional language would have been possible without his deafness, and the accompanying imposed relative social handicap/disconnection.