Quote:
Originally Posted by kinsky
I use for composing Sibelius, PWGL.
For my pieces with electronics i use Digital Performer, Logic, Max/Msp, Super Collider, Reaktor, Absynth.
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Ohh, a Super Collider user! I really need to learn how to use it. It looks really great from what I've seen about it, and should be just the kind of software that suits me. I've used Csound and some Max/MSP, but the Csound language isn't optimal for algorithmic composition (nor for live usage), and the Max/MSP approach of dragging lots of tiny symbols and cables across the screen just doesn't suit me. I guess I'm simply more a text person. Also, Max/MSP sometimes "cheats" a bit to speed the calculations up in order to enable live performance, which sometimes changes the sound in an unfavourable manner. So I'm really interested in checking out Super Collider.
As for composing software: I do most with pen and paper, so I don't use much software. Just Finale to write the final version down, but even that often only when it's for ensemble or orchestra where I need to do parts. Otherwise it's much simpler to do it by hand. I couldn't care less about how it sounds.
I have Logic Pro, but I don't use it. I just have it because I could get it for free

(Perfectly legal, of course!)