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  #31 (permalink)  
Old Mar 4 2008, 2:12 PM

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Crucio
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Quote:
Originally Posted by Romanticist View Post
Geez how long are your movements?
My movements wouldn't be that long, I'm just a slow worker.
Quote:
Originally Posted by virtualshock
perhaps he has a life,
No, I don't
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You just lost the game.

Quote:
Originally Posted by M_is_D View Post
There is not a single post by you in which you don't sound terribly british, Mark.
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  #32 (permalink)  
Old Mar 8 2008, 7:52 AM

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Quote:
Originally Posted by Nicola Canzano View Post
geniousness isn't a word and makes you sound quite the opposite.
I know it isn't but famousness is

I made it up, along with Orchestrians which was the original name for the thread before it was relocated and renamed
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  #33 (permalink)  
Old Mar 15 2008, 8:08 PM

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here be dragons
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My Piece

Don't laugh at me. I followed the rules

Sorry there's no MIDI, or mp3. Finale didn't play it right.

...
Attached Thumbnails
special-copy.jpg  
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  #34 (permalink)  
Old Mar 15 2008, 8:36 PM

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Originally Posted by robinjessome View Post
Don't laugh at me. I followed the rules

Sorry there's no MIDI, or mp3. Finale didn't play it right.

...
AHHH! I love the finale the best robin ingenious ingenious!
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  #35 (permalink)  
Old Mar 19 2008, 11:25 AM

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Quote:
Originally Posted by robinjessome View Post
Don't laugh at me. I followed the rules

Sorry there's no MIDI, or mp3. Finale didn't play it right.

...
In no way is that in barouque concerto form,



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  #36 (permalink)  
Old Mar 19 2008, 11:45 AM

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Originally Posted by virtualshock View Post
In no way is that in barouque concerto form,
What IS baroque concerto form?
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  #37 (permalink)  
Old Mar 19 2008, 12:54 PM

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Quote:
Originally Posted by wikipedia
The first major innovations in the development of the solo concerto were made by Antonio Vivaldi, who established the ritornello form: solo passages alternate with orchestral tutti, which often repeat the same material, giving unity to the movement. He established the three-movement form (fast–slow–fast) which has been the norm for the solo concerto ever since. He wrote several hundred concertos, the most famous being the group of four for violin entitled The Four Seasons. His 12 Concerti, Op. 3 "L'estro armonico" are also arguably the most influential pieces of the first half of the Eighteenth Century.
ritornello form should do the trick
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  #38 (permalink)  
Old Mar 19 2008, 1:06 PM

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Quote:
Originally Posted by virtualshock View Post
ritornello form should do the trick
No one said anything about 'ritonello form' ... I just went from the posted rules.

Quote:
Must be in baroque concerto form (fast-slow-fast form along with Ritornellos or slow-fast-slow form along with ritarnellos and even a slow-slow-fast or fast-fast-slow form will be accepted (with ritarnellos)
Ritornello= re-occuring themes in a piece played by the acc. instrument (piano)
I have recurring themes.

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  #39 (permalink)  
Old Mar 19 2008, 3:03 PM

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Quote:
Originally Posted by Romanticist View Post
Overview


2. Must be in baroque concerto form (fast-slow-fast form along with Ritornellos or slow-fast-slow form along with ritarnellos and even a slow-slow-fast or fast-fast-slow form will be accepted (with ritarnellos)
Ritornello= re-occuring themes in a piece played by the acc. instrument (piano)
You obviously didnt read this and your only recuring theme is in Part II, with the black blocky part in the violin

also in part II you play Bb-C-E once then backward which is certainly genuis

I however am having difficulty playing this
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  #40 (permalink)  
Old Mar 19 2008, 8:38 PM

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Originally Posted by virtualshock View Post
You obviously didnt read this and your only recuring theme is in Part II, with the black blocky part in the violin

also in part II you play Bb-C-E once then backward which is certainly genuis
The 'theme' is the Bb, C, E in Part I (violin).
It then recurs in the piano, Part II, and is presented again, in retrograde.
Then, the retrograde recurs, back in the violin, Part III.

Not recurring enough to be a ritornello?



Quote:
Originally Posted by virtualshock View Post
I however am having difficulty playing this
Sure. If you're unfamiliar with the notation and the concept as a whole, it won't work. In the right hands, it might sound like this:

YouTube Video
Malcolm Goldstein - violin
(Original Source)
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