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  #11 (permalink)  
Old Sep 13 2007, 11:08 PM

flint-wwrr's Avatar

Seasoned Composer
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Joined: 10-August 07
Posts: 453
Member Number: 3361
Thank you for the full score, QC! I'm glad to see I'm not the only one that uses a separate staff for each instrument. It drives me crazy to have to use separate layers in Finale when there's more than one instrument per staff.

*studies score*
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Woodwind specialist: Piccolo • Flute • Alto Flute • Bass Flute • Oboe • English Horn • Eb Clarinet • Bb Clarinet • A Clarinet • Eb Alto Clarinet • Bb Bass Clarinet • EEb Contra-alto Clarinet • BBb Contrabass Clarinet • Basset Horn • Soprano Saxophone • Alto Saxophone • Tenor Saxophone • Baritone Saxophone • Bassoon • Recorder • Voice: Bass-Baritone/Counter-tenor

Work(s) in Progress: Concerto for Oboe/EH w/Orchestra - "nuages" for 50 strings - Symphony #2 for Symphonic Band - details in blog.
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  #12 (permalink)  
Old Sep 14 2007, 11:34 AM

Paginani's Avatar

:WooT:
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Member Number: 3139
Nice orchestration and good contrast between movements, very good!

Liked the interplay between piano and orchestra!
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If I review one of your pieces, I hope you will be kind enough to do the same for me.
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Melody for Trombone and Piano
Quote:
Originally Posted by Berlioz View Post
MY EYES!!!
They're BLEEDING!!! AND MELTING!!! AND...
ARRRRRRRRRGGGGGGGGGHHHHHHHHHHHHHHH!!!!!!!!!!!!!!!! !
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  #13 (permalink)  
Old Sep 14 2007, 11:22 PM

alchemynut's Avatar

Intermediate Composer
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Member Number: 3069
I like this Piece Very Much.
Good Job!
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  #14 (permalink)  
Old Sep 24 2007, 4:13 PM

Composer
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Very exciting and interesting piece.
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  #15 (permalink)  
Old Sep 24 2007, 4:18 PM

QcCowboy's Avatar

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thank-you all for the compliments.

Speaking of Stephen King, I'm hoping to get permission to turn Dolores Claiborne into an opera.
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"Those that know, do;
Those that understand, teach
."
-Aristotle-

"toute audace engendrée par l'ignorance cesse d'être une audace et devient une maladresse"
-Debussy-

In musical criticism, when issues of craft and technical consideration are set aside, what remains is more subjective. However, until technical issues are dealt with, the subjective portion bears considerably less weight.
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  #16 (permalink)  
Old Sep 24 2007, 9:36 PM

Banned
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Joined: 18-September 07
Posts: 79
Member Number: 3569
wah .. it is ..... good music ,,,,,,,,,,,,,,,,,,,,,, i love it very evry much

your music .... i already print it out for study .... i hope some someone will actally perform for you

i highly respect you and your work
i even i think i cannot wrote that kind of music in my life ,.. it is too good
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  #17 (permalink)  
Old Feb 9 2008, 10:05 PM

piano person
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Wow, this is a really amazing piece of work. I like it the best out of all that I have heard of you. It inspires me to work harder on my concerto. Thanks for sharing.
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  #18 (permalink)  
Old Feb 10 2008, 6:32 PM

Starving Musician
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Joined: 27-October 07
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Member Number: 3658
WOW!!! i gotta say this is Amazzzzing work. I love the music so very much. THis is a grandslam in the bottom of the 9th inning of the 7th world series game, trailling 3 to win it all! TRUELY STUNNED
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  #19 (permalink)  
Old Feb 10 2008, 7:49 PM

QcCowboy's Avatar

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well, Pianist and Eagles... thank-you for the compliemtns (and sports metaphores!)

Funny isn't it, this isn't even a piece I was ever really fond of.
It's actually the very first piece I wrote when I moved out of my parents' place (I was 27.. after finishing my bachelor's). And it's, how to say... more "adventuresome" than most of what I've written since. I've written various atonal pieces, and relatively dissonant works, but this is pretty much the largest "modern" work in my catalogue.

I'm glad people are enjoying it so much. To be perfectly frank, it's a tiny bit unbalanced, in my opinion, from a performance point of view. The minimalist section is a tiny bit "too easy" for a really satisfying concerto. The rest of the piece balances out nicely, however. The cadenza is a lot of fun to play.. especially if you schmaltz up the tempo and make it even more "romantic".
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"Those that know, do;
Those that understand, teach
."
-Aristotle-

"toute audace engendrée par l'ignorance cesse d'être une audace et devient une maladresse"
-Debussy-

In musical criticism, when issues of craft and technical consideration are set aside, what remains is more subjective. However, until technical issues are dealt with, the subjective portion bears considerably less weight.
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  #20 (permalink)  
Old Mar 26 2008, 9:56 PM

Composer
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Joined: 8-March 08
Posts: 48
Member Number: 4403
...Oh, mon Dieu...

I've listened to this twice, back-to-back... and I'm honestly flabbergasted, Monsieur Edward. I'm absolutely in love with that which you have here, but I'm going to have to listen to it more carefully several times before I can hope to offer any honestly worthwhile input.

En ce moment, j'ai décidé de faire un commentaire (bien trop tôt, comme je viens d'impliquer) parce que j'ai remarqué une petite erreur - vous avez mis une déclaration de copyright au fond de la première page (de musique), mais il me semble que vous vous dépêchiez en écrivant cette déclaration, car vous avez dit "tout droits réservés." Mais, c'est un cas de la grammaire, dont je ne suis vraiment pas sûr, alors, veuillez me dire si j'avais tort.

Je vous promets que je serai de retour après d'avoir étudié bien cette musique - à présent je ne peux que dire que je l'ai aimée... if only I could play something as complex as that... and please forgive my use of Franglais; je parlais à mon amie canadienne quand j'ai écrit ce message, et ces deux langues me visitent alternatively...

Anyways. I shall be back.

Cordialement,

Dallas
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