Quote:
Originally Posted by Mike
You might consider extending the simple triadic examples above by moving onto more complex flavours of figured bass. 
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Okay, - I'll use basic 7th chords as our starting point, I just want to make sure everyone understands the construction of diatonic chords.
Now, when you say 'figured bass', I hope you're just meaning Roman Numeral indications of scale degrees...I don't have a firm grasp of actual
figured bass (6, 6/9 inversions etc. ??)
Quote:
Originally Posted by Mark
I'd very much like to learn more about how I can apply any of the knowledge I have of jazz harmony etc and apply it to my other music...
I'd like to learn a little more about the theory behind modal jazz, I understand the modes and how to apply them, but I've never had much success improvising over so what, for example.
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Okay, thanks for the input. This'll give this thread a bit more direction and purpose.
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