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Old Jun 3 2008, 10:38 AM

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Fanfare In Allegro Op.92 For Brass Quintet

Well it's a short piece for an engagement with this girl i've been seeing for about 9 months, and though it's very short I feel the piece is missing something.
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Last edited by blm22 : Jun 3 2008 at 12:03 PM. Reason: Added new stuff to piece
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Old Jun 3 2008, 10:42 AM

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also here is a score for those who don't use finale 08
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Last edited by blm22 : Jun 3 2008 at 12:05 PM. Reason: New stuff
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Old Jun 3 2008, 11:18 AM

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change the title, please?

Generally, a piece of music isn't "in" Allegro. It just is Allegro.

What you're basically calling it is "Fanfare in lively". Not the goodest grammar, eh?

At measure 12, the horn comes in in octaves with the trombone.. it sounds weak. particularly since the subsequant trumpet entrance is SO great with those full chords.
What doesn't help that horn part is that on the last beat of measure 12, you have it doubling the leading tone with the trombone, but then skipping aaway unresolved, in the next measure.

At measure 23, I'd multiply that great little leap effect in trumpet 1. Why not have the top three voices do it too? It gives beautiful upwards momentum to the phrase. At 25, you could have your trombone and tuba do an echo effect... why leave them out of the grand finale!!!
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In musical criticism, when issues of craft and technical consideration are set aside, what remains is more subjective. However, until technical issues are dealt with, the subjective portion bears considerably less weight.
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Old Jun 3 2008, 12:00 PM

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Quote:
Originally Posted by QcCowboy View Post
change the title, please?

Generally, a piece of music isn't "in" Allegro. It just is Allegro.

What you're basically calling it is "Fanfare in lively". Not the goodest grammar, eh?

At measure 12, the horn comes in in octaves with the trombone.. it sounds weak. particularly since the subsequant trumpet entrance is SO great with those full chords.
What doesn't help that horn part is that on the last beat of measure 12, you have it doubling the leading tone with the trombone, but then skipping aaway unresolved, in the next measure.

At measure 23, I'd multiply that great little leap effect in trumpet 1. Why not have the top three voices do it too? It gives beautiful upwards momentum to the phrase. At 25, you could have your trombone and tuba do an echo effect... why leave them out of the grand finale!!!
I don't follow when you say echo effect , do you mean echo the same measure prior to that?, and for the leap I just had the other two do a staccato quarter followed by a dotted half on the same note., and also for measure 12 I'm not sure what to do there my finale is being retarded so I can't really hear the horn. And thnx for commenting
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Old Jun 3 2008, 12:09 PM

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echo effect = repeat the motif, or an element of the motif..
create an impression of echo, or simply a sense of balance through the re-use of material.
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Those that understand, teach
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-Aristotle-

"toute audace engendrée par l'ignorance cesse d'être une audace et devient une maladresse"
-Debussy-

In musical criticism, when issues of craft and technical consideration are set aside, what remains is more subjective. However, until technical issues are dealt with, the subjective portion bears considerably less weight.
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Old Jun 3 2008, 12:11 PM

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so the opening chords or just the theme at the end
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Old Jun 3 2008, 5:47 PM

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it could be any part of your music, although my suggestion was aimed at the little rising figure in the 1st trumpet.
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Those that understand, teach
."
-Aristotle-

"toute audace engendrée par l'ignorance cesse d'être une audace et devient une maladresse"
-Debussy-

In musical criticism, when issues of craft and technical consideration are set aside, what remains is more subjective. However, until technical issues are dealt with, the subjective portion bears considerably less weight.
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