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  #21 (permalink)  
Old Jun 5 2007, 6:21 PM

Starving Musician
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hmm lots!


active percussion
melody flowing between section to section
HUGE timpani rolls
trombone glises
parallel fifths (eh)
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  #22 (permalink)  
Old Jun 5 2007, 7:15 PM

robinjessome's Avatar

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Quote:
Originally Posted by garrett! View Post
trombone glises
*high five*

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  #23 (permalink)  
Old Jun 7 2007, 5:09 AM

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Quote:
Originally Posted by Mark View Post
awesome, care to post it...?
Here it is, the melody actually isn't a straight major/minor melody, but it's the same basic idea...
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  #24 (permalink)  
Old Jun 7 2007, 11:50 AM

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oooh, very unsettling, similar to the effect I normally get
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There is not a single post by you in which you don't sound terribly british, Mark.
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  #25 (permalink)  
Old Jun 7 2007, 2:38 PM

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I like irregular time signatures.
like 5/8, 7/8, 11/8, 7/4, 5/4.
Or changing time sig every measure.
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  #26 (permalink)  
Old Jun 7 2007, 2:57 PM
Anders

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Why not try using no time signatures at all? I'm personally trying to move away from music restricted by time signatures. (this doesen't just require dropping the barlines, trust me.. I need to restructure my mind and.. bah *confused*)
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  #27 (permalink)  
Old Jun 7 2007, 3:26 PM

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I enjoy doing just the opposite of 920bpm: harmonizing a completely diatonic tonal bass line with completely chromatic and non-tonal upper voices.
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  #28 (permalink)  
Old Jun 7 2007, 3:45 PM

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That sounds most awesome, well, minus the non-tonal bit of course I must try that.
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  #29 (permalink)  
Old Jun 7 2007, 6:06 PM

Composer
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No time signature. That sounds, um, interesting and hard to play.

Colin Thomson
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  #30 (permalink)  
Old Jun 7 2007, 8:19 PM

Intermediate Composer
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That sounds really cool! Would it just be normal music but with no barlines and a really free sense of rhythm? So it would impossible to fit the melody into any time signature. I'm suddenly intrigued It would be so FREEING to master that technique I can think of all the amazing "rubato" pieces. So, do you just start with one melody/line that's free of any traditional rhythmic structure?
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