Home  Articles   Profiles  Forum  Chat  Lessons  Archives  Search   Store   Contact
Register Board Rules Member List Member Map Password Recovery Search Today's Posts Mark All Forums As Read Calendar Library
Go Back   Young Composers Music Forum > Discussion > Advice and Techniques

Welcome to the Young Composers Music Forum. You are currently browsing as a guest - join today to post messages, upload music, communicate privately with other members, respond to polls and access many other special features. Registration is fast, simple and absolutely free so please, join our community today!

If you have any problems with the registration process or your account login, please contact us.
Reply

 
LinkBack Thread Tools Display Modes
  #1 (permalink)  
Old May 10 2008, 1:26 PM

Starving Musician
Group: Members
Joined: 7-May 07
Posts: 7
Member Number: 2719
First Sight Reading (piano)

Hello everyone!

I just wanted to open this post to get some advice on techniques or excercises about first sight reading. My sight reading (piano music) is in a beginner-intermediate level and id like to improve it.
Im sure that people in this forum with advanced sight reading can help us the newbies with some techniques and advices about how to improve our sight reading skills. I apreciatte any comments.

See ya guys!
Reply With Quote
  #2 (permalink)  
Old May 10 2008, 1:50 PM

flint-wwrr's Avatar

Seasoned Composer
Group: Members
Joined: 10-August 07
Posts: 580
Member Number: 3361
Actually, the only thing you can do to improve sight-reading is to sight read. Take any piece of music you can get your hands on, and play it, no matter what instrument it is written for.

Sight reading requires you to play confidently and to keep moving, even if you mess something up. So, if you're the type who stops playing every time you make an error - BREAK YOURSELF OF THAT HABIT.

EDIT: on second read, I notice you're a pianist. Even more importantly for pianists, you must learn to keep a steady beat when sight reading. Pianists are notorious for being unable to play (for lack of a better word) mechanically, instead speeding up on easy parts and slowing down on difficult parts. Learning to play perfectly in time regardless of missed notes, botched figures, or mangled harmony is a very important skill! If you are ever to play with an orchestra, a band, or simply accompanying a soloist, you must have these skills, or you're going to screw up the other person(s). Sight reading is a fabulous time to practice this skill as well.
__________________
Woodwind specialist: Piccolo • Flute • Alto Flute • Bass Flute • Oboe • English Horn • Eb, Bb, A, Alto, Bass, Contra-alto, and Contrabass Clarinet • Basset Horn • Soprano, Alto, Tenor, and Baritone Saxophone • Bassoon • Recorder • Voice: Bass-Baritone/Counter-tenor
Reply With Quote
  #3 (permalink)  
Old May 11 2008, 12:52 PM

Starving Musician
Group: Members
Joined: 7-May 07
Posts: 7
Member Number: 2719
reply

Hey thanks a lot for your answer. I will have in mind and actually im practicing right now.
But besides your advices in my question i was talking about more specific techniques for sight reading. For example, put the sheets a bit far or use your panoramic view or stuff like that that someone in this forum that used it can explain us how apply it to our daily reading.
If someone can help me or recommend me a book on this Id really appreciate it.
Reply With Quote
  #4 (permalink)  
Old May 11 2008, 1:17 PM

QcCowboy's Avatar

Moderator
Group: Moderators
Joined: 27-April 06
Posts: 3,134
Member Number: 776
I'm not sure there IS a "technique" for improving sight-reading other than simply reading lots and lots and LOTS of music.

I know some great pianists with far better technique than mine, yet they couldn't sight-read their way out of a wet paper bag.

I, on the other hand, actually sight-read my way through some Bach and Mozart for an exam and actually got marks in the low 90's from the adjudicator who didn't realize I was bullsh**ing my way through the music.

I've found that my experience as a rehearsal pianist has probably given me an inordinate amount of help in sight-reading.
__________________
"Those that know, do;
Those that understand, teach
."
-Aristotle-

"toute audace engendrée par l'ignorance cesse d'être une audace et devient une maladresse"
-Debussy-

In musical criticism, when issues of craft and technical consideration are set aside, what remains is more subjective. However, until technical issues are dealt with, the subjective portion bears considerably less weight.
Reply With Quote
  #5 (permalink)  
Old May 11 2008, 7:48 PM

Keerakh Kal's Avatar

Vibraphonist/Composer
Group: Members
Joined: 8-March 06
Posts: 353
Member Number: 629
I guess something like "Look at the music and not at your fingers." Cuz' that's what you have to do with vibes- put the music pretty much over the notes you're gonna play, so you can see them out of your periferal vision.
I don't think you have that much liberty on a piano, but I suppose it's the same concept, especially since the keys are different colors...

~Kal
__________________
Valley of the Kings (midi)
Jungle Jam (midi)
Take Five
Cafe Salmonella
Errand Boy-New!

Online: www.myspace.com/midtownwave
Reply With Quote
  #6 (permalink)  
Old May 15 2008, 2:37 PM

Starving Musician
Group: Members
Joined: 7-May 07
Posts: 7
Member Number: 2719
thanks!

Thanks everyone for your help. Ill have all this tips in mind.
bye!
Reply With Quote

Reply



Currently Active Users Viewing This Thread: 1 (0 members and 1 guests)
 
Thread Tools
Display Modes

Posting Rules
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts

vB code is On
Smilies are On
[IMG] code is On
HTML code is Off
Trackbacks are Off
Pingbacks are Off
Refbacks are Off


All times are GMT -4. The time now is 5:55 AM.

RSS

Powered by vBulletin®
Copyright ©2000 - 2008, Jelsoft Enterprises Ltd.
Proprietary software and modifications Copyright ©2005 - 2008, Young Composers
Content Relevant URLs by vBSEO 3.1.0