Home  Articles   Profiles  Forum  Chat  Lessons  Archives  Search   Store   Contact
Register Board Rules Member List Member Map Password Recovery Search Today's Posts Mark All Forums As Read Calendar Library
Go Back   Young Composers Music Forum > Upload Your Compositions for Analysis or Feedback > Piano Music, Solo Keyboard

Welcome to the Young Composers Music Forum. You are currently browsing as a guest - join today to post messages, upload music, communicate privately with other members, respond to polls and access many other special features. Registration is fast, simple and absolutely free so please, join our community today!

If you have any problems with the registration process or your account login, please contact us.
Reply

 
LinkBack Thread Tools Display Modes
  #1 (permalink)  
Old Apr 10 2008, 7:32 PM

spherenine's Avatar

Sexy Composer
Group: Members
Joined: 1-June 07
Posts: 890
Member Number: 2886
Folie à Deux

All right, I know I've posted this piece before, but I'm now creating an official thread for it. I just got Sibelius, so I decided to enter the score in it so it would look prettier. I know that there are still score issues, as I am not an engraving master at all, so I was hoping that I could have some helpful comments on what needs to be fixed (I can tell that Michel's licking his chops) (and I know that I need to change the pedaling marks. . . I don't actually play piano).

I also would like some comments on the actual music. I don't foresee myself changing this piece, but I would like some critiques to know exactly what people do and don't like.

And once again, the whole idea of this piece is that the first part uses only C, Db, E, F#, G, and A# (the enharmonic notes of the C and F# major triads), while the second part uses the remaining chromatic notes (D, Eb, F, G#, A, and B for the dull). The idea for this came simply from the Petrushka chord, and it just developed from there.

Folie à Deux
Attached Files
File Type: pdf Folie a Deux.pdf (39.4 KB, 71 views)

All music files uploaded by this user
__________________
"Folie à Deux"
"Harmpit"
"In Satan's Foyer"

Just listen to "Harmpit" and tell me that it doesn't make your bowels shake at least a little. I dare you.
Reply With Quote
  #2 (permalink)  
Old Apr 10 2008, 8:54 PM

Composer
Group: Members
Joined: 2-April 08
Posts: 42
Member Number: 4528
amazing! i'd never tell there's any restriction beyond this fabulous piece.

the whole thing is great, but specifically the main bass theme is absolutely adorable to me. congratulations!

it's really great how the rythm sounds broken and, as you say, "jumpy", though it's actually 4/4 or 3/4 or 6/8 most of the time.
Reply With Quote
  #3 (permalink)  
Old Apr 13 2008, 6:17 PM

spherenine's Avatar

Sexy Composer
Group: Members
Joined: 1-June 07
Posts: 890
Member Number: 2886
Thanks. I aimed for the jumpiness through the use of disjunct intervals rather than actual rhythm.

Also, the use of "restriction," as you call it, can actually be quite inspiring. This is the only piece that I have written in such a way thus far, but I found it to actually be helpful.

And thanks for the kind words.
__________________
"Folie à Deux"
"Harmpit"
"In Satan's Foyer"

Just listen to "Harmpit" and tell me that it doesn't make your bowels shake at least a little. I dare you.
Reply With Quote
  #4 (permalink)  
Old Apr 14 2008, 1:39 AM

starlady174's Avatar

Composing n00b.
Group: Members
Joined: 1-April 08
Posts: 6
Member Number: 4525
Hey, you know I love this piece. The one thing that seems awkward in my opinion is the sudden dynamic shift to pianissimo. It comes out of nowhere, and almost seemed like a glitch with my speakers at first... could just be personal opinion speaking, but is there a way you could incorporate a decrescendo somewhere before that point, or is there a specific purpose for the way you wrote it?
__________________
EEFG|GFED|CCDE|E.DD|EEFG|GFED|CCDE|D.CC
Reply With Quote
  #5 (permalink)  
Old Apr 29 2008, 1:10 AM

spherenine's Avatar

Sexy Composer
Group: Members
Joined: 1-June 07
Posts: 890
Member Number: 2886
Yeah, yeah, yeah.

I updated the file on my computer to use less extreme dynamics, but I have yet to upload it. My crappy technology makes uploading things much harder than it should be.
__________________
"Folie à Deux"
"Harmpit"
"In Satan's Foyer"

Just listen to "Harmpit" and tell me that it doesn't make your bowels shake at least a little. I dare you.
Reply With Quote
  #6 (permalink)  
Old May 9 2008, 11:14 AM

Zetetic's Avatar

Knight of the Keyboard
Group: Members
Joined: 17-February 07
Posts: 432
Member Number: 2210
Great! The harmonic language is wholly coherent, but sounds original. I really enjoyed listening to this piece.
__________________
If I take the time to review one of your pieces, I'd really appreciate it if you did the same for me.

Major threads running
Competition: Original Work for Theremin and Piano (prize = recording!)
Works currently posted:
Neoclassical Fantasia and Fugue for String Quartet - 16 March 2008
Reply With Quote
  #7 (permalink)  
Old May 17 2008, 9:02 AM

Fluxus Composer
Group: Members
Joined: 15-May 08
Posts: 39
Member Number: 4774
i like it, sounds good, i love this style songs, thank for post.
Reply With Quote

Reply



Currently Active Users Viewing This Thread: 1 (0 members and 1 guests)
 
Thread Tools
Display Modes

Posting Rules
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts

vB code is On
Smilies are On
[IMG] code is On
HTML code is Off
Trackbacks are Off
Pingbacks are Off
Refbacks are Off


All times are GMT -4. The time now is 7:46 PM.

RSS

Powered by vBulletin®
Copyright ©2000 - 2008, Jelsoft Enterprises Ltd.
Proprietary software and modifications Copyright ©2005 - 2008, Young Composers
Content Relevant URLs by vBSEO 3.1.0