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Old Apr 9 2008, 11:56 PM

Jamie Whitmarsh's Avatar

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Good Band scores to study?

Hey, I'm working on scoring a Wind Philharmonic piece for a reading next semester, and I was wondering some good scores to study. I have Blue Shads by Ticheli, and Jim Barnes' Third Symphony. I might get a few more Ticheli scores, and maybe Lincolshire Posey. But what other pieces would you guess suggest?
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Old Apr 10 2008, 4:34 PM

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There really aren't that many well written "band" pieces, so I would suggest looking at works for orchestral winds written by composers that are generally considered "orchestral" composers.

One good set to look at that are neither are Joseph Schwantner's works for wind ensemble and piano. And the mountains rising nowhere, In Evening's Stillness, and From A Dark Millenium. If you can get a hold of those scores, please do it. Ticheli's 2nd Symphony is VERY good, especially the second movement. I also personally like some of Clifton Williams' writing in Fanfare and Allegro, and Symphonic Dance No. 3. Very well written pieces of "lower difficulty".

And also, not "maybe Lincolnshire Posy", DEFINITELY get it, that is some of the best orchestrating you're going to find in most any band piece of that era.
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Old Apr 10 2008, 5:10 PM

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One thing you might want to look at is the Sinfonietta by Ingolf Dahl. The scoring and construction of the piece is very clear and fresh, and it's definitely not a typical "band" work, at least for most of the piece.
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Last edited by mgrafe@indiana.edu : Apr 10 2008 at 5:10 PM. Reason: grammar
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Old Apr 11 2008, 9:51 PM

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Hey,

I would suggest Psalm for Band by Vincent Persichetti which was, obviously, written just for winds. We just played this for UIL and it was such an emotional piece. Don't let the name fool you, this is a great piece of writting.

Also, take a look at Divertimento for Winds and Percussion by Roger Cichy. Although this piece was originally composed for orchestra, it was beautifully arranged for band and to tell you the truth I like this piece more than Psalm for Band but I think Psalm has more of the style that you are looking for given your description above.

Well good luck to you and I hope you get the chance to take a look at one of these pieces... believe me you wont regret it!
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Old Apr 13 2008, 6:49 PM

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Gustav Holst has a few good Wind Symphony pieces. Suite in E flat and F are really good.
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Old May 1 2008, 10:14 PM

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Ok. First of all, there are many good band pieces, they're just hidden under masses of crappy middle school arrangements and dumbed-down lameo pieces made for making money for publishers. Here's a good list to follow. Generally, anything on this list will be good: List of concert band literature - Wikipedia, the free encyclopedia
That said, these are the scores I recomend:

John Barnes Chance: Incantation and Dance
Percy Grainger:
Irish Tune from County Derry, Lincolnshire Posy, Shepherd's Hey, The "Gumsuckers" March
Gustav Holst: First Suite in E-flat, Second Suite in F, Hammersmith
Robert Jager: Esprit De Corps
Joseph Wilcox Jenkins: American Overture for Band
Peter Mennin: Canzona
Darius Milhaud: Suite Francaise
Vaclav Nelhybel: Trittico, Festivo
Ron Nelson: Rocky Point Holiday
Alfred Reed: Armenian Dances (Parts I+II), Russian Christmas Music
William Schuman: George Washington Bridge, New England Triptych
Fisher Tull: Sketches on a Tudor Psalm
Clifton Williams: Symphonic Dances, Fanfare and Allegro
Ralph Vaughan Williams: English Folk Song Suite, Toccata Marziale

Good luck!
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Old May 1 2008, 10:51 PM

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Good list! I think I've played just about everything on it.

Be warned that Reed does the ultra-thick dumbed-down "double every freakin' musical line" in a lot of his works, though. Not saying he's bad or anything, but there are pieces where he's brilliant, and pieces where you can tell he needed rent or food money one month...
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Old May 1 2008, 11:02 PM

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Yeah, I'd have to say that Reed has very boring orchestration.
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Old May 2 2008, 1:57 PM

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Quote:
Originally Posted by flint-wwrr View Post
Good list! I think I've played just about everything on it.

Be warned that Reed does the ultra-thick dumbed-down "double every freakin' musical line" in a lot of his works, though. Not saying he's bad or anything, but there are pieces where he's brilliant, and pieces where you can tell he needed rent or food money one month...
Lol. Very true!
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Old May 19 2008, 12:42 AM

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Don't forget Children's March by Grainger; wonderful variation writing that explores the color's of the wind symphony.
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