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  #21 (permalink)  
Old Nov 12 2005, 2:33 AM

Intermediate Composer
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So you're not open to new influences then, Maestro?
Fortunately Not. I'm a musical "purist" or less harsh - "traditionalist". To me 20th Century music sounds like organised rubbish ( ) and, I mean well, pop and rock and other "modern" music doesn't count for me.
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  #22 (permalink)  
Old Nov 12 2005, 2:41 AM

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I'm not sure one can count oneself as an influence... after all, no one sets out to copy another composer, so we're all "influenced" by ourselves enough that it doesn't really count as an influence.
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The piano quartet is COMPLETE!!!


Please note that I will not review the following without a very good reason:
1) MP3-only posts: no score + outside link = bad deal. Especially true because I'm on dialup when at home.
2) Shoutbox or PM spam: excessive shameless plugs get very annoying very fast.
3) Pieces written in a short time or with little effort: if it's not worth the composer's time and energy, then it's not worth mine either.
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  #23 (permalink)  
Old Nov 24 2005, 12:48 AM

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in no particular order

chopin: master of counterpoint... listen to the opening bars of his barcarolle or his berceuse!!! his melodies are also incredibly subtle ( "cello" and Tristesse etudes)

liszt: has some very (weird) interesting stuff... have no name for it.

many more not-so-influential influencers, too many to mention.
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  #24 (permalink)  
Old Dec 1 2005, 1:01 AM

Intermediate Composer
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I cannot think of a composer of whom I find traces in my music. This is probably because I’m too close to my own works to objectively consider that. Nor can I think of anyone I have genuinely tried to emulate.

I learnt more about setting words for voice and piano from Barbara and RenĂ©e Claude’s album of LĂ©o FerrĂ© songs than from Schubert, but that may be because I understand the language. Giya Kancheli has over the course of the past year reminded me of the need for contrast. And Arvo Pärt’s Third Symphony is the only work I can recall that I ever heard and immediately thereafter was really, really ticked off he’d written it, because I wanted to. But my music sounds nothing like theirs that I know of. The only thing I can mention is that a lot of my things for piano end up sounding like Satie ”“ but that’s especially true of the things I wrote before I’d ever heard any Satie.
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