Heart, we will forget him!

Thank you for the review. It's much appreciated and all your comments have been considered. I do have validation for much of your complaint.

I don't see the weird chord on m 16. Did you mean the D flat at the begining of the triplet? The F in m 7 is a passing tone resolving to the E.

I took out the harmony in m 2 for contrast. I repeat essentially the phrase twice without any variation, so I decided to thin the harmony on the first phrase and on the repeat I added more harmony. It might not be as effective as I thought.

Sorry about it looping a bunch. I don't know how to take that off.

I don't want to make it seem like I'm disregarding your post. I'm going back through and looking at those places to see if it they are as effective as I thought.

Perhaps I misquoted the measure about 16, perhaps 17? I do remember you had 4 notes right on top of each other in the "spaces" of the staff in the bass clef, pardon my laziness for not bringing up the score again. In measure 7, I realize that this is a passing tone, but it would work better with a D in the bass clef atop the C instead of an E. The E and the F clash unnecessarily here. I suppose I can let measure 2 slide, although I disagree about its appropriateness. Only being because I can only imagine if somebody made a comment like i did about one of my pieces, I would probably defend it like you did. In other words...ok, that makes sense