Quote:
Originally Posted by Wagner
Secondly, can we really call Wagner and early Stravinsky sophisticated? Is that what comes to mind when you hear the Forging Song or Firebird Suite?
|
Don't give away your ignorance....
The ballet Firebird is QUITE "sophisticated" and worthy of in-depth study.
The funniest thing in this "discussion" is that both sides are tossing accusations back and forth, and making the SAME mistakes they are accusing each other of making!
There is (let us stick to this word for now) "sophisticated" pop music, just like there is "less sophisticated" classical music.
The real distinction between the two "genres" has nothing to do with complexity, or sophistication of the harmonic or melodic material.
There is classical music for one or a few instruments, there is pop music that requires QUITE large an ensemble.
There is pop music that is quite developed and lengthy listening, there is classical that flies by in under 3 minutes.
The
intention of the music should be where you examine any differences.
Johann Strauss waltzes, polkas, and gallops were meant to be danced to. They were "dance music". In a way, they were a form of "pop" music at that time. A bridge, if you will, between the concert stage and the real popular music of that time (which classical was NOT).
Unfortunately, I know very little contemporary pop music, and most of you would probably be shocked to know what pop music I actually DO listen to and enjoy. But I know that those songs I do listen to, I don't listen to the same way I listen to a symphony, or sonata, or concerto.
I don't expect a pop song to push me to introspect, to make me consider what it proposes. I expect it to make me feel things. And it does. I don't expect intellectual stimulation from it.
When I listen to contemporary classcial music, I expect to feel something. I expect to be pushed as well to SOME intellectual stimulation. To discover something new, something further, every time I hear it.
That's very different from my expectation of pop music.
Does that mean that pop music can't do that?
No.
It means that I just don't listen to that kind of pop.
Listen to Michel Fugain et le Big Bazaar... that's intellectual pop! The songs are fun, can be skimmed, but! if you listen closely, there's more. There's a message, there's something beneath the surface.
Is that any less of an achievement than a symphony?
Not in my opinion.
It's just a different KIND of achievement.
Why compare?
That was my only word on this topic, I will now let the children go back to their bickering. And I use the term "children" with a certain affection... I've been following this thread, and am amused that some of you are coming up with heavy musicological terminology yet not having the real academic baggage to defend the position you take.
In other words, for God's sake, just calm down, stop arguing for nothing, and go write some music... pop or classical, doesn't matter. Go express yourselves. THAT'S where it matters.
And with that I bid you all happy holidays.
michel