|
Yes and no. You get the ability to "easily" create harmony with your melodies with piano... and seeing as I've spent maybe a total of 10 minutes of my life around a violin, I'm pretty sure you can't do the same on it.
As far as improvisation itself is concerned, I'm not sure how to explain to start.
Personally, I started with very standard chord progressions (and the melody on top of it), namely Amin, Gmaj, Fmaj, and Emaj. That was... years ago. Then I started messing with what could be done within that same progression, and then started playing with what could be done within the scale of Amaj, and then progressed to using chromaticism to move between chords, and then... I dunno.
Most of it started with experimenting and "discovering" harmony... what works and what doesn't. Plenty of my beginning stuff worked predominantly in the Amin/Cmaj scales, and then later added Cmin/Emaj. And then most of it started sounding too stereotypical "new age" piano, so I worked with some of the Jazz progressions, using chromaticism to select the root note for chords, and then I just started "discovering" stuff on my own, mainly by trying stuff I've never played around with before. Once I got into a familiar pattern, I immediately left it.
Sure, that led to plenty of atonal-like stuff, but once i moved back to tonality, I had a better understanding of what _could_ be done.
Hopefully that helps a bit.
|