This is infinitely better than the last one - much clearer direction and energy.
I kind of like the fact that you've skipped all the
old stuff, and leapt straight into this stream-of-consciousness, more avant type of writing.
Hard to do without a background in jazz writing, but this works fairly well. I'd still say there could be a little more cohesion between the horns, but it's a lot more together than it was - at times they play off each other quite nicely.
Something else I like, is that I could hear this being completely improvised - or perhaps the first half leads straight into some collective improv. It'd be hard to tell, which is cool.
I also love the drums, about :20 in they freak out just enough for me to think it could be a real drummer....You (somehow) managed to get the 'players' (the drummer especially) to sound at times as if they were actually playing with/reacting to each other....very cool.
