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Old Mar 10 2008, 10:19 AM

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Lesson with Deminicus

So Deminicus what is it you wish to study?
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Old Mar 10 2008, 10:33 AM

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Good Morning Will Kirk! Am I able to study "Jazz Bass - sight reading, hand training, and bass theory" or are each of those three seperate lessons? If so, I would like to study "Jazz Bass - bass theory" please,
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Old Mar 10 2008, 10:55 AM

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Quote:
Originally Posted by Deminicus View Post
Good Morning Will Kirk! Am I able to study "Jazz Bass - sight reading, hand training, and bass theory" or are each of those three seperate lessons? If so, I would like to study "Jazz Bass - bass theory" please,
Ok, well as for bass theory here's what we're going to start on

The bass is the big foot of the sound of any Jazz band. Anything you play on the bass is going to change everything else about the sound.

For instance, if the band and I are playing through a very quick progression

Bb E C6 C7 D

As a jazz bassist my job isn't to simply "play root notes with authority" My job is to add more to the music. For example, if the piece is a rather happy one, I would try to play bass lines that would add to the atmosphere. For instance...

While the band plays this progression above me

Bb E C6 C7 D

I would try something along the lines of...

F# C A Bb D

See what I did? I harmonized for the first few movements, then at the very end resolved in D with the rest of the band.

That's a first start, there's other things but let me know if you grasp this concept first ok?
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Old Mar 10 2008, 11:15 AM

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I think i understand what you are saying so far. So basically, instead of the bass simply playing the root note in a progression, the bass plays different notes that add to the overall feel of what the other band members are playing and at the end the tension (i hope i haven't misused that word) is resolved by the bass playing the same note as the other band members?
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I believe what this quote states to be true.
~Deminicus
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Old Mar 13 2008, 1:24 PM

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Quote:
Originally Posted by Deminicus View Post
I think i understand what you are saying so far. So basically, instead of the bass simply playing the root note in a progression, the bass plays different notes that add to the overall feel of what the other band members are playing and at the end the tension (i hope i haven't misused that word) is resolved by the bass playing the same note as the other band members?
Exactly!

Any note that the bass plays will change the overall sound and feel of the entire band. This is quite advantageous to the bass player because it allows him to contribute to any type of feeling with the band and still do his job well.

Let me know when you're ready to continue
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Old Mar 16 2008, 5:02 PM

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Great, so I understand so far,

I think I'm ready to continue now.
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-Frank Tibolt


I believe what this quote states to be true.
~Deminicus
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Old Mar 26 2008, 10:19 PM

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Please forgive my delayed response, I'm going to have to put the lesson on hold until school let's me have some time to work on it
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Those that know, do
Those that understand, teach
----Aristotle

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Old Mar 28 2008, 4:12 PM

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It's okay, I'm totally okay with waiting (I completely understand, i've had a lot of school work and band-related things that have made getting online rather difficult lately as well).
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"We should be taught not to wait for inspiration to start a thing. Action always generates inspiration. Inspiration seldom generates action."
-Frank Tibolt


I believe what this quote states to be true.
~Deminicus
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