Here's a little "classical" piece I've been tinkering with. It's an extract of the introduction of the much larger (and for the moment non-existing) opus I've chosen to call "Magnus Pario".
It's a short piece for 2 Violin, 2 oboe, 1 bass clarinet, 1 cello, 1 contrabass and percussion (Timpani, chimes and cymbal).
At first I did this to experiment with modality and different ways to create tension without any excess accidentials (theoretical sucide), but I ended up just making something that I thought sounded good.
Please comment on anything you find odd, disgusting, interesting or wonderful.

I would really like to hear your suggestions so I can decide whether I should continue it or dumb it.
(Please note that Classical music isn't really my expertice)
Mp3 here:
Magnus Pario - Introduco.mp3 - File Shared from Box.net - Free Online File Storage