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  #11 (permalink)  
Old May 17 2008, 12:09 PM

Starving Musician
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Member Number: 3400
I'll put a tentative foot in, although I'm in the middle of exams so I may be forced to pull out...

I'd like to use the same ensemble as ClassicalSax ( 2 violins, 2 violas, 2 'celli and 2 double basses) with the text being "Mending Wall" by Robert Frost.

Is it sad that that is one of the texts I have to revise for English, and this will be part of my revision?

[EDIT]Link to Mending Wall: Frost, Mending Wall[/EDIT]
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  #12 (permalink)  
Old May 17 2008, 4:49 PM

rautavaara's Avatar

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Member Number: 4753
oh yes.

Count me in.

It'll be for a small string orchestra (3/4 violins, 2 violas, 2 celli, 2 bassi)

My text will be "Tears, Idle Tears" by Alfred Lord Tennyson
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  #13 (permalink)  
Old May 19 2008, 11:18 PM

TheMeaningofLIfe's Avatar

Composer
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Joined: 25-December 06
Posts: 701
Member Number: 1934
Uriel

I'm in

<>

The score is attached and here is a Link to the audio file.

Link

Well here it is. It's based off of this poem. I found the text to be extremely provocative both aesthetically and theatrically. It's been alot of fun working with it's ideas and story.

If this piece was to be preformed I would have the text placed on a overhead projection and have the piece played beneath it.

My ideas around the piece were to take the main events and forces of the poem and represent them.

The intro follows the intro of the poem.

The repeating ostinato is representative to the truth.

The A theme represents the people of Uriel and their dynamic fall from grace.

The B theme represents the gods in all their splendor.

Other things that went into the writing of this piece was the tonal center of Eb which I changed only once from into F dorian to emphasize the experiance of truth and its pessimistic realisim with the change from the first A to B.

Another thing was my phrasing which was pushed to its limits with all of the odd time meters and the quirks that go with writing lyrical melodies within them. Writing in odd-time is not new to me and is a stand-by of my style but this piece pushed me into new territories with it.

There is rampant modal keys throughout it. The main one featured is dorian which is present in all of the B's of the gods minus the transition between the last B and Locrian A.

Well here's the poem and I hope for the best.

URIEL

by: Ralph Waldo Emerson (1803-1882)

It fell in the ancient periods
Which the brooding soul surveys,
Or ever the wild Time coined itself
Into calendar months and days.

This was the lapse of Uriel,
Which in Paradise befell.
Once among the Pleiads walking,
Said overheard the young gods talking,
And the treason too long pent
To his ears was evident.
The young deities discussed
Laws of form and metre just,
Orb, quintessence, and sunbeams,
What subsisteth, and what seems.
One, with low tones that decide,
And doubt and reverend use defied,
With a look that solved the sphere,
And stirred the devils everywhere,
Gave his sentiment divine
Against the being of a line:
"Line in nature is not found,
Unit and universe are round;
In vain produced, all rays return,
Evil will bless, and ice will burn."
As Uriel spoke with piercing eye,
A shudder ran around the sky;
The stern old war-gods shook their heads,
The seraphs frowned from myrtle-beds;
Seemed to the holy festival,
The rash word boded ill to all;
The balance-beam of Fate was bent;
The bonds of good and ill were rent;
Strong Hades could not keep his own,
But all slid to confusion.

A sad self-knowledge withering fell
On the beauty of Uriel.
In heaven once eminent, the god
Withdrew that hour into his cloud,
Whether doomed to long gyration
In the sea of generation,
Or by knowledge grown too bright
To hit the nerve of feebler sight.
Straightway a forgetting wind
Stole over the Celestial kind,
And their lips the secret kept,
If in ashes the fibre-seed slept.
But now and then truth-speaking things
Shamed the angels' veiling wings,
And, shrilling from the solar course,
Or from fruit of chemic force,
Procession of a soul in matter,
Or the speeding change of water,
Or out of the good of evil born,
Came Uriel's voice of cherub scorn;
And a blush tinged the upper sky,
And the gods shook, they knew not why.
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  #14 (permalink)  
Old May 20 2008, 4:37 PM

Tigger's Avatar

Lver of Music
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Joined: 27-May 06
Posts: 1,438
Member Number: 876
My Official Entry:

Text:
Quote:
Originally Posted by Me
*From Dr. Seuss's Oh the THINKS you can think!:

"And what would
you do
if
you met
a JIBBOO."


That's it, one line of text from two pages of a Dr. Seuss book

*(Inspired both by the text and the accompanying picture...)
edit:
Instrumentation:
Quote:
Originally Posted by Me
String Orchestra.

Title:
Quote:
Originally Posted by Me
"The Jibboo"
(a scan of the picture will be presented along with the score, for reference)
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  #15 (permalink)  
Old May 24 2008, 3:41 PM

Omri Lahav's Avatar

Composer for Media
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Posts: 37
Member Number: 4797
The thread was a bit unclear about this point - o rI missed something.
Am I supposed to pick just one family of instruemnts and stick to it or can I mix them?
Anyways I'm in, text is Bilbo's Goodbye Song (At the Grey Havens) by J.R.R Tolkien.
Bilbo's Last Song (At the Grey Havens) by JRR Tolkien
(You'll soon find I'm a Lord-of-the-Rings fanatic )

If I am to choose one family it'll probably be plucked strings or percussion - for the challange.

Omri.
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  #16 (permalink)  
Old May 25 2008, 7:09 PM

FPSchubertII's Avatar

Quiet, you!
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Member Number: 216
I'll join writing a piece for string quartet (2 violins, viola, and cello) based off of Plato's "Allegory of the Cave": Plato: Republic: Book VII .
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  #17 (permalink)  
Old May 25 2008, 8:56 PM

Jordan's Avatar

Advanced Composer
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Joined: 5-July 07
Posts: 287
Member Number: 3131
Well, I have some cautious enthusiasm here.

I would like to be a part of this thing, but I have things like exams (and other contests) that might beat it out for place in my ever growing list of things to do. However, if I manage to get around to this thing, I would like to make a song based on some text (not sure which) and it will be done with a woodwind ensemble.

if I am allowed, I would like something like an all clarinet ensemble (Eb Sopranino, 2 Bb sopranos, Eb Alto, Bb Bass).
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  #18 (permalink)  
Old May 30 2008, 12:16 PM

Nik Mikas's Avatar

Hamster in a rat race
Group: Members
Joined: 29-August 07
Posts: 128
Member Number: 3463
Similarly, I wish to participate, but may not complete me piece due to school.

Instruments:
Piano-Forte (two players)
Organ
Electric keyboard

Text:
Signatura Rerum or
The Six Keys of Eudoxus (I love sacred-texts)

And my score will be handwritten, as I have no program and never write another way, but question the notion of getting extra points for it.
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  #19 (permalink)  
Old Jun 2 2008, 8:21 PM

Alan's Avatar

Orchestral Prince
Group: Members
Joined: 7-December 07
Posts: 650
Member Number: 3890
Once again, I volunteer my time to judge!
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My Music!
America The Beautiful Arrangement for Choir
Trio for Violin and Two Flutes
My Music in the Making!
The Tide Has Turned (tentative Title), Music for Orchestra
Serenade in G (Not hyperlink)

Questions? Comments? PM me!
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  #20 (permalink)  
Old Jun 3 2008, 8:20 PM

Morivou's Avatar

Monthly Competition God
Group: Members
Joined: 18-October 06
Posts: 1,256
Member Number: 1616
Alright... my summer will start with THIS!!!

Text: "Sleep" by Octavio Paz.

Ensemble: 2 Pianos, 2 Harpsichords, 2 Organs.

Yes, this will be fun!!!
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Duet for Piano and Flute-
http://www.youngcomposers.com/forum/...ute-12521.html
10 Pieces for the Modern Pianist Concert Work-
http://www.youngcomposers.com/forum/...work-6898.html
Song Cycle for Baritone: Another Time. (Lyrics by W.H. Auden)
http://www.youngcomposers.com/forum/...ent-12629.html
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