Quote:
Originally Posted by Nathan Madsen
You make an interesting comment here: "smart" sample programming. Most of this doesn't lie on the sample but on the user. Finale integrates GPO into the playback taking care of most of the sample decisions for you. Other programs (Logic, Cubase, Sonar, Protools) don't do this for you, but give you much more freedom and flexibility in what kind(s) of samples you choose to use. If you're willing to learn what samples work for what kinds of musical lines and situations, then you'll get more realism and flexibility. Nathan
|
So, a question: How do these programs handle articulations, and complex issues like multi-sampled repeated notes? It's been a long time since I worked with Finale (about 7 years), but I remember the playback responding to a few things like spicatto, pedal and dynamics, but does it recognize a wider range of score markings such as:
harmonics
glissando
sul ponticello
col legno
con sordino
If it doesen't would that mean I would have to setup a new instrument to do the job for each? Also, would MIDI exports contain all of the general orchestral markings in a format readable to your host sequencer (Cubase in my scenario), or would the sequencer disregard bow markings?
Another thing I am not clear on is, how do the samples (for any of the libraries) load into the sequencer? Does each instrument appear as a Vitual Instrument, or are they essentialy grouped as one giant plug-in (or I could have it completely wrong and all of the samples are brought up in a 3rd party plug-in sampler?)?
Quote:
Originally Posted by Nathan Madsen
I think East West or VSL will be better for your needs. East West has a great, large Hollywood sound, but the Silver and Gold packages only have one mic setting available which has some embedded reverb. This can be a con when you're wanting to create intimate ensembles like string quartets. This is where VSL would serve you better, but just understand that you'll have to do a bit more processing to get a good sound. I also don't like the way VSL names their files- which makes the work flow a bit more cumbersome.
One thing you didn't mention is your budget. There is also Project SAM which is getting alot of attention and use by major composers for media. The top VSL package is around $20,000!! So what is your budget? This will help me give you some realistic options.
Nathan
|
The comment about East West mic placement options is exactly what I needed to hear. My first thought when listening to their demos was about control of ambiance. Does the Platinum bundle contain close-miced versions?
My budget is 2-4k, dependant on other factors. My curiosity is over whether I should grab a full bundle in that range, or alternatively be satisfied with a limited pallete of high-quality sounds (Vienna Symphonic strings, piano), and suffer the wrath of free GPO sounds from Finale.
My thought about going the limited pallete route, would be that upon the completion of string quartet and piano trio pieces, I could then uprade in increments, and by adding different sections, would learn more about the principles of orchestration in line with traditional pedagogy.