What an extremely boring cello part...an interestingly active viola part, and a sometime repetitive violin part but it seems to work Mr. Floydman, I must also congratulate you on successfully not using accidentals (Except for the first measure viola).
You establish the key with a C major chord for the first 2 beats and let the viola go loose (hence the active viola part). For the first 7 measures the cello plays 7 whole notes..the tempo is andante...this would be a bit boring for some performers...But I can see the need for this, you start the 2nd measure with a A minor chord..the cello playing an A while viola and the violin play a C and an E. The cello also has a strong part in the F major chord in which you start the 3rd measure off with, basically what I am saying is though the cello part is necessary for the bass of your chord progressions, try if you will to make it a bit more...enjoyable for the performer.
Measure 8, the cello finally gets an active part, you have another C major chord here, you sustain the E in the violin while cello and viola have moving parts in the chords of this measure. Up to measure 10, the music is the same, rhythmically wise anyway. Measure 11 you gave the violin an active part and in the next measure the music changes rhythmically once more. Everything looks fine up until the violin double stop at m. 19. Though I am a violinist and this specific note is possible to play it may sound a bit eerie or odd, since they're fifths and in the violins high registers it just may sound weird..I may be over blowing this a bit, just saying. The violin part up until measure 25 starting at 20, is a bit repetitive as I have said previously..it seems that the melody is most carried by the viola while the cello continues its rest-quarter note- rest pattern which is ok. After this I have no real comments..it seems just fine..the melody seems to be shared between the instruments more, while the cello even eliminates the rest in between the quarter notes replacing them with quarter notes. Measure 35 and 36 are the same rhythmically with all instruments and in measure 37 the last chord I cannot identify..though the A and the C makes it sound minor, coupled with the viola-violin octave unison makes the finale sound depressing indeed.
Overall Mr. Floydman I must say I enjoyed critiquing your piece today, the only thing I must comment on is the amount of uneventful parts you have in some of the instruments of the trio, try if you want or can, making them a bit more enjoyable and eventful. By the way Welcome to young composers forum, I hope you enjoy your stay
Roman,
P.S. Is there a way that you can email me or post an mp3 file in a file sharing website, I am curious to see if what I heard in my head while reviewing is in sync with what the notes actually say.
