Something for strings

Heres my piece for strings. I took a mathematical approach in the "melody," and learned toward Arvo part's Tinntabulli, thus I originally called it Sonitus, latin for sound, because it is absolute music, just music in itself But then I realized that I should probably call it some thing else so for now its Something for Strings.
It will probably be performed by a youth symphony.

comments? critism?

Well, if you want to listen to music which actually is concerned in sounds and music in itself, you should listen to works by composers such as Varése or Morton Feldman. Your music is no where close to the concepts of these composers, so it has no relation to the composition of "sounds" rather than musical notes.

Could you elaborate more on the "mathematical approach in the melody"? It's for everyone's benefit to mention as much as you can for your piece of music so we know what we are criticising or commenting.

Originally Posted by jujimufu

Well, if you want to listen to music which actually is concerned in sounds and music in itself, you should listen to works by composers such as Varése or Morton Feldman. Your music is no where close to the concepts of these composers, so it has no relation to the composition of "sounds" rather than musical notes.

Could you elaborate more on the "mathematical approach in the melody"? It's for everyone's benefit to mention as much as you can for your piece of music so we know what we are criticising or commenting.

Your right I should probably change its name, 4 now it will have to be "something for strings".

As for the mathematical approach its somewhat of a pattern if you look at the score you will probably notice it,

Ill try explain; The basis of the theme, which repeats is a 1.decrease-2.interluded(increase & decrease also)- 3.the backwards of 1. making this section a increase

1- Bb-G while 2. E-A,G-G 2. G-Bb.

Does this make sense, if you need me too I will elaborate further

Originally Posted by virtualshock

Heres my piece for strings. I took a mathematical approach in the "melody," and learned toward Arvo part's Tinntabulli, thus I originally called it Sonitus, latin for sound, because it is absolute music, just music in itself But then I realized that I should probably call it some thing else so for now its Something for Strings.
It will probably be performed by a youth symphony.

comments? critism?

It's great you have understood the possibilities with absolut music. One of the greatest in that genre is undoubtly Anton Bruckner. They often refer to him when talking about Absolut music. (recommend his ninth symphony - d-minor - last mov. Dedicated to using his words "Dem lieben Gott!" , meaning: "To my beloved God!).

Keep up with the good work
and happy new year Virtualshock!

happy new year!

Originally Posted by virtualshock

happy new year!

Happy new year and thanks for all your musical support thoughout the year and actually also making it possible for me to conclude my violin concerto inspired by your spontanious comments!


more about Anton Bruckner here: http://www.youngcomposers.com/forum/...tra-11650.html



Did you know that Gustav Mahler who was a close friend to Richard Strauss also studied counterpoint for Anton Bruckner:
http://www.youngcomposers.com/forum/...9-a-12624.html


Fredrik.

maybe a very good youth symphony...
the intonation would have to be excellent to convey this piece properly.
I like the dissonance...especially between cello and bass in the lower register

Originally Posted by a cello named dimitri

maybe a very good youth symphony...
the intonation would have to be excellent to convey this piece properly.
I like the dissonance...especially between cello and bass in the lower register

Yes I am hoping the piece doesnt get slaughtered, but the director specified that the youth symphony would work especially on intonation this semester. I play in it too

Originally Posted by Fredrik

Happy new year and thanks for all your musical support thoughout the year and actually also making it possible for me to conclude my violin concerto inspired by your spontanious comments!


more about Anton Bruckner here: http://www.youngcomposers.com/forum/...tra-11650.html



Did you know that Gustav Mahler who was a close friend to Richard Strauss also studied counterpoint for Anton Bruckner:
http://www.youngcomposers.com/forum/...9-a-12624.html


Fredrik.

your welcome

interesting melody, the piece seemed cut off at times (I don't know if that was apart of your plan). keep on composing!

Originally Posted by Sir Violinist1

interesting melody, the piece seemed cut off at times (I don't know if that was apart of your plan). keep on composing!

yes because of the midi there are no decrescendos,

I will keep on composing 4 sure