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Well, there are sample kits that have all sorts of orchestral percussion, including the ever-popular suspended cymbal. In MIDI, though, I just figured how long the MIDI note lasted before it cut off and tried to overlap sus. cymbal notes until it was as long as I wanted it, then just fade up the volume on that track until the climax. Yeah, you can hear the different cut-off points for the various notes, but the general feel is that it's one gradual build. It's not as good a solution as samples, but it works...to a degree.
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Just because we live on the same rock doesn't mean we have to live in the same ways.
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