Quote:
Originally Posted by Dev
But the "composition" in question (jose's boxes) shows absolutely no musical knowledge whatsoever. There is no evidence of theory, instrumentation, or even things like pitch, tone, duration - there is just absolutely nothing about this picture that suggests the "composer" was a musician. Which is why I have a problem with it; a clever non-musician could produce the same exact work and by adamently defending his "creative vision" still be considered a composer. Why should a painter be given the same job title as Beethoven?
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Cuz it's a crazy, crazy world. And that's how the modern art world works now.
Certainly, if I write a score of music, and someone comes around and says it's a nice graphical piece of art, rather than music, I wouldn't have a problem with it. I would've been the artist here rather the "composer" in this case. It depends who appreciates what, in what way.
I personally don't agree much with Jose's methods here on the forum, but I do defend the option to do what he's doing since to me it's a music score all the same so long as someone calls it as such.
HOWEVER, he's not POSTING ANY MP3s and I tire of that bullshit. He is also not posting ANYTHING ELSE other than the damn painting/score/thing so it also annoys me that there's not even a context to look at this from.
But regardless, I've been personally very interested in musical notation systems and all that. To me, your entire score could be "Look out the window" and that's it and it'd be OK. It'd be interesting to see what a performer does with such instructions, certainly.
Sort of like process music, but more vague. However, I personally like to elaborate more, such as "Look out the window, if there are trees, use them as basis for your rhythm. If there are cars, use them as basis for your tone selections" and so that sort of thing.
Look at the type of notation you'd write to do something like Cage's imaginary landscapes nr.4 (with the radios!) or Reich's pendulum music. It's pretty much non-standard and you'll probably end up with numbers and graphs and that sort of junk. Which, honestly, is just fine by me. The journals for Stockhausen's electronic pieces look really cool (and the pieces sound awesome imo.)
I at least attempt to respect here Jose for the fact that, well, he's trying at least. SOMETHING. I don't know what it is really, but well it's something. It'd be even better if he posted goddamn sound files to go with that something.