Quote:
Originally Posted by almacg
Personally, the fact that modern composers with newer ideas still cannot outshine composers who wrote music 200 to 100 in a popularity contest, even amongst composers, is very telling.
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It'd be very telling if it was:
A: A fact.
B: Not a matter of taste.
Plus, blah blah, semantics, "outshine" blah blah means nothing. Stockhausen outshines the fuck out of Bach in complexity and elaboration in my opinion (Kontate, Klavierstück X, etc.) But I like Bach just the same, even if it's simpler, less ambitious, and more formulaic (LOL, irony!) You can't put everything in the same basket and expect it all to fit fine. You have to have some idea of music history, and the context where things happened. Obviously baroque composers had a fraction of the material we have now in terms of musical knowledge and research resources, so we can't expect them to do stuff like Ligeti did, etc etc. So, if they never had the chance to begin with, how do you know none of the baroque composers would've traded their good'ol palestrina counterpoint for clusters and 12tone music? We don't, we'll never know.
They never had the chance to do anything different so it's impossible to judge and compare across epochs like that with any degree of meaningfulness. It's like saying a 3 year old kid is not as good in mechanical engineering as a 40 year old dude with proper studies and years of experience. You can't simply compare shit like this. The kid at 3 years old is doing pretty fine for a 3 year old, but he hasn't had enough TIME to even begin to actually learn anything the 40 year old guy did. If we adapt this to reflect on music history, the 3 year old isn't AWARE that such thing as mechanical engineering even exists for the duration of his life. How can it even be possible to compare anything then?
I mean, sure, you like old music. I like old music too. But I'd think twice before claiming any objectivity on this sort of argument, as has been said a thousand fucking times.
Robin will now distribute some moar beatings.