Yummy No. 1 in C

which is pretty much what I said...

For the purpose of the music... It fits perfectly (according to the description.) It is a break from some things that are tiring (such as the whole structure issue with composing)... It made me laugh... Other than the actual mechanics of playing (which are a little sloppy with, and need to be worked on... But I really did like it over all. It was cute.

I guess I can live with "cute". Any affect is good, excluding hatred toward the author. Or maybe just a pinch of that is good. I don't really know. I am very happy that this piece made several people laugh (presumably because it made them feel good). But I don't understand "other than the actual mechanics of playing (which are a little sloppy with, and need to be worked on..." I'll make a guess you mean the rather indistinct percolation in the bass? That's a lot clearer on my keyboard. I think I may rerecord this, anyway. I re-panned stuff, and what-have-you. Or maybe just the kind of reckless nature of the thing is what you referred to? I don't know if there's any fixing that without defonkifying the piece. And I think that yumminess and "the fonk" are similar things.

Thanks.

Mmmm....tingling breeziness.

<div align="center">A piece for plucked strings
effervescent and yummy
tingling breeziness.

::bongo riff::

[/quote]
Nobody liked my haiku...

I was gone for a week and a half with no internet, and will be again, presently.

hellogoodbye

I see what you mean now. It is 17 syllabubs too.
Has some of the spirit of your music.
Isn't one supposed to answer with a new one?



.

Electric keyboard
abounds with perfect choices
for my masterpiece.

A young pianist
Skipped 'Gradus ad Parnassum'.
Prefers Debussy's.

Television sounds
Occlude the inner meaning
Of experience.

Four haiku of mine
The last being post-modern
In self consciousness.

That'll do for now. This poetic discourse is, near automatic.