I've been away from the forum (holidays) for a long time... Sorry I didn't get back sooner
@Luis HernándezThanks for the comment and glad you liked it :)
@phython I'm not sure I get what you mean exactly... Maybe you're right, but maybe you're hearing that because in most places the voice hits each phrase's final note one 16th before the actual change of harmony, like in "anticipation" I don't know the technical term in english... ;)
About the dynamics, note taken. You're not too harsh, the point of critique is not only praise, but also getting good advice from people... So thx :)
Thank you man for your great comments and the support!!! It's true, this piece was intented as a blockbuster/ tour de force piece, and I think there are many (maybe too many) elements that one cannot hear with one listening of it. Especially nowdays that everyone listens only to let's say 1st minute of a song, a lot of what goes on with it goes unoticed. I've had friends telling me "wow, it's nice" and when I ask them "did you like the counterpoint?" they just stare at me like "What counterpoint?", and I tell them listen to it again please and not only the first 30sec of it :ppppp
But, you know, it is my first song. Besides expressing, and really letting out some things in my mind with it, I intended it as a "showcase" of what we can be done/ what we can do, if we're given a chance.
There will be more coming out before 2016 ends ;)
Thank you again, you made my day!
I listened to it a first time, but I can't play it again for some reason. I'll try to remember what I heard for a review:
It sounded fine; the source material you had to work with I think gave you a lot of options because the execution in this seemed to stem a lot of different things which made it pretty unique. The voice aspect of the song kind of irked me a little bit, because I no longer really heard the voice as an instrument, or rather, part of the entire experience, I heard it as the kingpin to the song, which is a shame because the background was pretty nice too.