Het Dorpsfeest/The Festival

You certainly have a talent to write virtuoso piano music and utilize and extract the utmost from the keyboard and it's palyer. the musical context however is rather thin in my opinion. the piece is very monothematic. Though the part at 0:53 and it's recapitulation around 2:17 does indeed sound very impressive and awesome, the piece in a whole just trudges on at certain points, losing momentum and interest. Try to work a bit more with countermelodies, expanding melodies, playing around material and not just get lost in virtuoso figurations.

Keep up the good work though,

I agree with Beethovenbd in every way. This is an excellent piece, and I'll be sure to look for more from you in the future. Thanks for the upload .

You certainly have a talent to write virtuoso piano music and utilize and extract the utmost from the keyboard and it's palyer. the musical context however is rather thin in my opinion. the piece is very monothematic. Though the part at 0:53 and it's recapitulation around 2:17 does indeed sound very impressive and awesome, the piece in a whole just trudges on at certain points, losing momentum and interest. Try to work a bit more with countermelodies, expanding melodies, playing around material and not just get lost in virtuoso figurations. Keep up the good work though,

thanks il try some different things in future pieces to make more musical context

I agree with Beethovenbd in every way. This is an excellent piece, and I'll be sure to look for more from you in the future. Thanks for the upload .

well thank you ^^

I can find a few similitudes between this piece and my own Piano Sonata Nº 3 (recently uploaded in YC), particularily the first movement. We both use a very lively theme and transform it gradually (I do it through several modulations, of which you use no more than one). The movement of my Sonata lasts about double the lenght of your piece - and it has the same shortcoming: the lack of a contrasting theme to provide an extra tension and keep the piece going smoothly. If you're going to use only one theme, you must have an astonishing amount of variants - or else, we both need another motif, different to the first in character and tonality, to provide contrast.

I can find a few similitudes between this piece and my own Piano Sonata Nº 3 (recently uploaded in YC), particularily the first movement. We both use a very lively theme and transform it gradually (I do it through several modulations, of which you use no more than one). The movement of my Sonata lasts about double the lenght of your piece - and it has the same shortcoming: the lack of a contrasting theme to provide an extra tension and keep the piece going smoothly. If you're going to use only one theme, you must have an astonishing amount of variants - or else, we both need another motif, different to the first in character and tonality, to provide contrast.

thanks for your usefull tips