Immortal Triumphant

If this work is intended for a windpipe organ, you should include an additional staff below the standard two, for footwork (pedals). You might also instruct the player to switch stops, since an organ has a diversity of tunes that could provide balance and variety to the piece.

Overall, I feel this piece has a bit of sobriety and coherence in its attempt to tell a story (despite the expected trademark "chaotic" segment). The subtitles above the staves give a general idea of the intended mood - but you should also add proper musical indications for the performer, especially in terms of dynamics and tempo.

Thank u 4 ur review Austenite, i certianly would not have thought of some of ur suggestions by myself. I regard this piece not necessating footwork yet for the hammond organ. As for the stops, i am having trouble with my soundcard. Dynamics & tempo indications with this piece i think are irrelevant, but that is just my opinion, perhaps my incompetence. Thank u for your good points.

I've never heard anything by you before, so I was interested to see what you're music would be like.

Somehow, you manage to write music exactly how you write words on YC -- you come across as only half-lucid much of the time, and your music is similar. It's like you're stuck in some world between dream and reality.

I love the ideas you have for your pieces -- I actually enjoyed them immensely. Not quite tonal, not quite atonal, but always coming together as a cohesive whole ... at least, the individual ideas. But I found that the transitions between your interpretations were way too sharp -- especially the transition to "Sincerity", the tempo change just felt completely unfitting.

If you can find a way to smooth out your transitions, your music will improve exponentially. And I am already impressed with what you've made. Art!

Thank you for sharing -- I really enjoyed this ^)^

i like these ideas. and the energy of the piece is nice. your reverb amount is good on this. maybe you could do more variations rather than direct repeating in the sections. i like the dissonance for the darker sections, but the end should probably be more unified for the triumph. nice job!