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- Submitted: Apr 22 2012 01:23 PM
- Last Updated: Apr 22 2012 01:23 PM
- File Size: 1.67MB
- Views: 716
- Downloads: 91
- Genre: Contemporary
- Sub Genre: Experimental
- Form: Symphonic Fantasy
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Netherworld Of Plutonius
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Plutonius refers to him known as The Morning Star....... 
It's very interesting Austenite, funny it is i would never have thought by myself to use the word chaotic to describe my music, ironically. I was having trouble deciding where to place it but i thought to myself that one could imagine the two staffs divided into 8 staffs i quess. Thank you for saying spooky atmosphere & coherent whole, i always strive for something different yet as well imitation of my favorite art forms.
Strange that this one sounds so chaotic, because when you look at the score, it has a visual clarity, and you see patterns and order - the writing itself looks quite classical and organized, as a matter of fact. It does not sound classical and organized at all, however.
Verdict: I wonder how this would work at a much slower tempo, slightly less outlandish sounds, and some expressive dynamics.
Verdict: I wonder how this would work at a much slower tempo, slightly less outlandish sounds, and some expressive dynamics.
Yes, when i compose i strive for visual symmetry regardless of the harmonic treatment, obsessed with immaculate beauty i can only think of Handel who was said that his scores were too well ordered. At a slower tempo would be interesting with greater articulation refinement, i think i will try that Sarastro in my notation processor to get a better vision of your suggestion.Strange that this one sounds so chaotic, because when you look at the score, it has a visual clarity, and you see patterns and order - the writing itself looks quite classical and organized, as a matter of fact. It does not sound classical and organized at all, however.Verdict: I wonder how this would work at a much slower tempo, slightly less outlandish sounds, and some expressive dynamics.
Naturally, i regard Bach manuscripts more complex & scriabin's even more. Actually, Scriabin intimidates me, his scores were like a human arachnid at the klavier.
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There's simply no way this can be performed by live instruments. The notes fall one after another like a hailstorm, at a speed totally unmanageable by, say, trombones. The piece seems to be most effective if performed "electronically" with the said sound samples (which would explain how a panflute staff suddenly changes into a steel guitar and then a piano). That would also make the notated microtones more distinguishable.
Yet the piece achieves a spooky atmosphere by blending this overall weirdness into a chaotic, yet somehow coherent whole.