Submitter
File Information
- Submitted: Apr 23 2012 01:18 AM
- Last Updated: Apr 23 2012 01:18 AM
- File Size: 4.15MB
- Views: 637
- Downloads: 67
- Genre: Romanticism
We also suggest ...
|
| Composition for solo piano (minimalistic modern classical) - reviews: (13) |
|
| Nocturne in G Minor for piano, Op. 18 - reviews: (56) |
|
| The Rainbow-like Impression (Mavrična impresija) for piano solo - reviews: (8) |
|
| Poem for Piano and Orchestra, mvt.1 (Solo Piano) - reviews: (2) |
|
| Piano Solo - reviews: (10) |
| Prelude in G minor - reviews: (20) |
|
| Keyboard Suite in d minor - reviews: (7) |
|
| Elegie in A Minor - reviews: (3) |
|
| Old piece for solo piano - reviews: (1) |
|
| Improvisation for piano in c minor - reviews: (5) |
|
| 7 Eludes - reviews: (41) |
|
| Piano Sonata No. 4 in E minor (Northanger Sonata), Op. 25 - 1st movement - reviews: (40) |
|
| Vanishing moments for piano solo - reviews: (8) |
|
| Piano Music No.1 - reviews: (1) |
|
| Pensieve Piece for Piano solo - reviews: (6) |
|
| 3 little dances for piano solo - reviews: (5) |
|
| Organ Solo For 2 Staffs - reviews: (7) |
|
| Rain - piano solo - reviews: (2) |
Elegie in D minor (Classical Guitar Solo)
Hi,
This piece is a tremolo guitar solo piece (couldn't find guitar solo in upload choices). The mp3 was recorded on imovie so it sounds very bad. Also, this was my first time recording it (I'm playing) and it is a bit sloppy. The score is attached.
Please listen and tell me what you think.
Any pointers, suggestions are welcome.
This piece is a tremolo guitar solo piece (couldn't find guitar solo in upload choices). The mp3 was recorded on imovie so it sounds very bad. Also, this was my first time recording it (I'm playing) and it is a bit sloppy. The score is attached.
Please listen and tell me what you think.
Any pointers, suggestions are welcome.
Hi! Thank you for the response.
I was thinking about going into the tonic major, but I didn't want to copy Recuerdos and El Ultimo Tremolo TOO much. A lot of people know those pieces and I don't want to draw too many comparisons. Those 2 are some of my favorite pieces and they are beautiful. I do agree that going major would be surprising too. Hmmmm, I will think about it.
As for the 4 sixteenth notation for tremolo, I've seen many pieces notated with the tremolo mark. I don't think it is TOO MUCH of a problem but if more people don't like it then I will change it...
And I will put fingerings on the final version, I agree the b string is sweet!
Thank you for the thoughtful response
I was thinking about going into the tonic major, but I didn't want to copy Recuerdos and El Ultimo Tremolo TOO much. A lot of people know those pieces and I don't want to draw too many comparisons. Those 2 are some of my favorite pieces and they are beautiful. I do agree that going major would be surprising too. Hmmmm, I will think about it.
As for the 4 sixteenth notation for tremolo, I've seen many pieces notated with the tremolo mark. I don't think it is TOO MUCH of a problem but if more people don't like it then I will change it...
And I will put fingerings on the final version, I agree the b string is sweet!
Thank you for the thoughtful response
- 4,382 Total Files
- 28 Total Categories
- 1,064 Total Authors
- 397,865 Total Downloads
- Piano Concerto No.1 F# Minor (2011) Opus 1 Latest File
- John_Joe_Townley Latest Submitter
5 user(s) are online (in the past 30 minutes)
0 members, 5 guests, 0 anonymous users

Sign In
Create Account












Also, as a guitarist, I have to say I much prefer the traditional way of notating tremolo for guitar (Four semiquavers with the last three being repeated notes). Nearly every piece of tremolo based music a guitarist has seen is going to have used that layout so it makes sense to keep things familiar so as not to confuse the player (And trust me, guitarists are easily confused, as I'm sure you already know!). Also, just as a taste thing, I would be tempted to put some fingerings in to keep the player away from the 1st position because the E string tremolo sounds really harsh to me down there. I would personally much rather keep the player on the B string as much as possible and around the 5th/6th/7th positions because the guitar is much sweeter there. That's just personal taste though.