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- Submitted: Sep 21 2011 01:40 PM
- Last Updated: Sep 21 2011 01:40 PM
- File Size: 5.62MB
- Views: 1372
- Downloads: 89
- Genre: Romanticism
- Form: Dance
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Mazurka in F minor (2) - 2011
2 Votes
This one of two F minor mazurkas, the earlier of which I will upload later.
This is to be played with a freedom of tempo and lots of rubato but within artistic restraints.
Initial theme should give a sense of wet slavic gloom. But tempo should be characteristically 'moving', not slowed and 'rubato-ed' down to nothingness.
In the oncoming of the major section, state the first theme in F major, slow down a little, state the theme again in the supertonic G minor, slow down a little, as if taking pauses in your musings. And then take it away with new light, as if question answered from after that. You may speed up a little in the chromatic fall. In the D flat portion be loud, then be quiet, but return to F major with the 6-4 chord with sudden brightness.
From measure 103, take it real soft and slow but speed up into the tempo.
Show a bit of sudden exuberance in m. 138.
Calando ending but suddenly bright in the last measures, bass representing an inversion of the motif in the F major section.
Software execution horrible, as always. So loud and cruel.
I will play this and upload later.
This is to be played with a freedom of tempo and lots of rubato but within artistic restraints.
Initial theme should give a sense of wet slavic gloom. But tempo should be characteristically 'moving', not slowed and 'rubato-ed' down to nothingness.
In the oncoming of the major section, state the first theme in F major, slow down a little, state the theme again in the supertonic G minor, slow down a little, as if taking pauses in your musings. And then take it away with new light, as if question answered from after that. You may speed up a little in the chromatic fall. In the D flat portion be loud, then be quiet, but return to F major with the 6-4 chord with sudden brightness.
From measure 103, take it real soft and slow but speed up into the tempo.
Show a bit of sudden exuberance in m. 138.
Calando ending but suddenly bright in the last measures, bass representing an inversion of the motif in the F major section.
Software execution horrible, as always. So loud and cruel.
I will play this and upload later.
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Again, thanks for sharing, I enjoy your thoughtful music