Seni-G

Members
  • Content count

    39
  • Joined

  • Last visited

  • Days Won

    1

Seni-G last won the day on January 10

Seni-G had the most liked content!

Community Reputation

5 Neutral

1 Follower

About Seni-G

  • Rank
    Advanced Member

Profile Information

  • Gender
    Male
  • Location
    California
  • Occupation
    Economics/Government teacher
  • Favorite Composers
    Beethoven, Liszt, Tchaikovsky, Debussy, Clare Fischer, John Williams
  • My Compositional Styles
    I love classical/romantic form and harmony, especially when mixed with more modern harmonies (jazz, blues) and latin rhythms.
  • Notation Software/Sequencers
    Finale
  • Instruments Played
    Piano

Recent Profile Visitors

675 profile views
  1. I wrote this a couple of years ago right after my son was born. Enjoy!
  2. This piece is called Jack's Song, composed shortly after the birth of my son. Having is a child is one of the most transformative experiences one can go through in life. This music is a reflection of all the feelings and emotions and self-searching that went on in my head during those first few months as a new father.
  3. Thank you to both judges for all the great feedback! I really appreciate how much time and energy you put into everybody's music. Thank you for making this process so meaningful. I look forward to the next competition!
  4. Thank you for saying that. I appreciate your kind feedback, and your multiple listens. This piece improves the more you listen to it :)
  5. This is the first movement of a string quartet I have been working on. The entire quartet is called "Jackdaw", and this movement is titled "Memories of the Ghetto". It is about things that are gone forever. It is about my ancestors. It is about my jewishness, which has now become so faint it is like the fog on a summer morning, moments away from complete disintegration. Yet at the same time it is a deep root, a bond that ties me to those who came before me, those who clawed their way out of the furnace and found sanctuary in a new land, a safe haven. What were their lives like, living in the ghettos of Prague? Babies were born, children played in the street, lovers held each other and giggled in the moonlight, businessmen haggled over the price of goods, wrinkled old women told tales of heartbreak and woe, an ancient city breathed in one generation and exhaled another. The memories of my ancestors. They don't come to me in an orderly fashion, but instead all tangled up, or sometimes as mere glimpses, vignettes of a time that is buried, of a people I desperately long to know. The deep dark blue of a prayer shawl, freshly baked bread, a labyrinth of crumbling stone spires, grandpa's croaking laugh, a virgin bride smiling beneath her veil. These are my people, a lake so deep it reaches down to the very bowels of the earth. And yet I have almost lost them, almost forgotten the bond, forgotten who I am. I want to see through their eyes and know their pain and triumph and laughter and fear and joy. I want to remember. Remember!
  6. I really enjoyed this! I thought at first it was going to be more like background music at the beginning of Pirates of the Caribbean, but you take it in interesting directions. I appreciate your use of dynamics, and the feeling that the piece isn't in a rush to lay out it's main ideas. You lead the listener there gradually. Nice build-ups of sound followed by changes of mood. I also enjoy how you play with the chord progression to change the mood. You don't just repeat the same idea over and over, but instead warp it in subtle ways. Nice work. Portraying the sea in a new way is challenging because so many people have done it. Here's my advice: expand this piece! The ending was quite abrupt, as if you said, "well that's good enough, I'll just cut it off here". But the story arc didn't feel complete. This is a compliment to you. You got me interested and wanting more! Take it in further and give us more of the story. What else can you tell us about this fisherman, and how can you do it in a new way, a way that keeps the main ideas you've already laid out, but challenges the ear with new sounds and directions? It seems that you've established that this seaman is on an adventure. So what happens next?
  7. That's a lovely little piece! I don't think you need to spice up the piano, personally. It's a peaceful song with accompaniment that fits the mood. If you try to get too spicy, you might try to do too much at once. My advice (and of course feel free to ignore it) is to keep this piece as it is and go write another one, and another. The next one you write, aim for spicy. Then before you know it, you'll have a suite, and your suite will have variety as a whole. If this was part of a larger set, and that larger set contained more spicy material, this piece would act as a calming interlude between more dramatic pieces. I'm sure that in a church this music would be very effective. Performed live, I imagine this piece would sound like a serene lake on a chilly Spring morning.
  8. It feels like music that belongs with a visual, like a chase scene from an action film. I think you've got a talent for that cinematic sound, and I'm curious to see what else you have written. I like the alternation between the soft piano portions and the percussive material, and your orchestration sounds very balanced and natural. Nice use of dynamics. As it stands now, the piece feels like a scene, and when the scene is over the music ends. I'm not sure the music can stand alone without the image. If you were to develop the themes more fully, allow a theme to take center stage, this piece might have more of an identity. The music is pleasant and sets a mood, but does it stand out as a piece of "art"? Does it have something to say? What else could that photograph convey, and how else could that music portray that? Could you expand the piece so it explores more than one mood, could you develop your themes? I suppose it all comes down to intention. Are you aiming for cinematic music or music that can stand alone? Do you want to capture one single mood, or write music that takes the listener on a journey? You've clearly got talent. Can you use it to create something with more depth, something that makes the listener FEEL what's in that photograph? This is all very fluffy commentary, based more on a vibe I got rather than anything concrete. Feel free to disregard if I'm off base.
  9. Thanks for your feedback! I'm glad you felt the tension in there. Can you be more specific about the dynamics? Which part are you talking about? Thanks!!
  10. I agree completely. This starts off with tons of potential, but then doesn't develop. I recommend taking that great first idea and manipulating it so it changes into something else. Play with variations on that idea for a while, practice developing it, changing keys and meters and rhythms. Try to take us on a journey, one with more than just one color.
  11. Great fun! I imagine a young person's orchestra would be thrilled to play this, especially with all those rich horn and percussion parts. You really capture the sea, in a much more literal way than something like Debussy's "La Mer". This feels at times like it should have a vocal part singing some pirate dirge along with the orchestra. Well done. Nice balance of lush orchestration with a concept that a casual listener can appreciate. Excellent balance, and you keep it interesting throughout.
  12. I feel like I'm being beamed onto an alien ship! This is some very satisfying, very trippy music. I just closed my eyes and let it wash over me. You took me on a little journey. Well done!
  13. Woohoo!
  14. Hello! Here is my submission for the Winter 2017 Competition. It is piece about an affair, written for orchestra. The music follows the contours of a relationship, beginning when two lovers first meet, then winding its way through their complex and illicit romance. Any feedback is appreciated! Enjoy. Note: The theme on which this piece was originally based comes from the second movement of Beethoven's piano sonata Opus 7.
  15. Really beautiful scenery in your music. You use the orchestra very well. I love the colors you use, and the changes in rhythm throughout the entire piece. At times heroic and inspiring, other times mysterious and breathy. You totally captured the silly militarism of Munchausen. I also love the klezmer that occasionally pops up. My favorite vignette was "The Snowy Village". It really sets the right mood, reminds me a bit of Scheherazade. Well done all around!