Jump to content

Is There Any Mode In This Composition?

- - - - -

8 replies to this topic

#1
rbarata

    Member

  • Members
  • 21 posts
I'm learning modes and I ould like to know what you think about this tentative for a C Lydian.

What do you think? Sugestions for improvement?

Thank you

Attached Files



#2
Dominus Vobiscum

    Elder

  • Members
  • 2,704 posts
  • Favorite Composers:Ives, Debussy, Wyschnegradsky, Nancarrow, Carter, Stravinsky, Webern, Schnittke, Penderecki, Takemitsu, Xenakis, Mckinley, Davis, Coltrane, Newsom
  • My Compositional Styles:Modern
  • Notation Software/Sequencers:Sibelius, HighC, Noteworthy Composer
  • Instruments Played:Piano, misc.
Thats G Ionian
Gloria Patri, et Filio, et Spiritui Sancto,

Sicut erat in principio, et nunc, et semper, et in saecula saeculorum. Amen.

Currently accepting new students: http://www.youngcomp...t32051/lessons/

#3
Rosenskjold

    Intermediate Composer

  • Members
  • 179 posts
  • Favorite Composers:Ligeti, Mozart, Debussy, Satie, Max Richter, Ólafur Arnalds, Keith Kenniiff, Palestrina, Shostakovich
  • My Compositional Styles:Minimalism
  • Notation Software/Sequencers:Sibelius
  • Instruments Played:Piano

View PostDominus Vobiscum, on 04 February 2012 - 04:34 AM, said:

Thats G Ionian

What do you base that on? As far as I can tell, there's no D major in any form, and it doesn't end or start with a G major.

I was gonna say A dorian, because it ends with an Am9, but I don't know how relevant it is when judging modes.
Ephesians 2:8-9

Quote

For by grace are ye saved through faith, and that not of yourselves: it is the gift of God, not by works, lest any man should boast.

#4
Dominus Vobiscum

    Elder

  • Members
  • 2,704 posts
  • Favorite Composers:Ives, Debussy, Wyschnegradsky, Nancarrow, Carter, Stravinsky, Webern, Schnittke, Penderecki, Takemitsu, Xenakis, Mckinley, Davis, Coltrane, Newsom
  • My Compositional Styles:Modern
  • Notation Software/Sequencers:Sibelius, HighC, Noteworthy Composer
  • Instruments Played:Piano, misc.
It just looks like G major to me, beginning on the subdominant and ending on a V/V.
Gloria Patri, et Filio, et Spiritui Sancto,

Sicut erat in principio, et nunc, et semper, et in saecula saeculorum. Amen.

Currently accepting new students: http://www.youngcomp...t32051/lessons/

#5
Rosenskjold

    Intermediate Composer

  • Members
  • 179 posts
  • Favorite Composers:Ligeti, Mozart, Debussy, Satie, Max Richter, Ólafur Arnalds, Keith Kenniiff, Palestrina, Shostakovich
  • My Compositional Styles:Minimalism
  • Notation Software/Sequencers:Sibelius
  • Instruments Played:Piano

View PostDominus Vobiscum, on 04 February 2012 - 05:44 AM, said:

It just looks like G major to me, beginning on the subdominant and ending on a V/V.

i can understand why it looks like G major, since it shares sharps with both C lydian and A dorian, but the lack of Tonic chords, especially at the beginning and the end, would normally suggest it's one of the other two possibilities.
Ephesians 2:8-9

Quote

For by grace are ye saved through faith, and that not of yourselves: it is the gift of God, not by works, lest any man should boast.

#6
Dominus Vobiscum

    Elder

  • Members
  • 2,704 posts
  • Favorite Composers:Ives, Debussy, Wyschnegradsky, Nancarrow, Carter, Stravinsky, Webern, Schnittke, Penderecki, Takemitsu, Xenakis, Mckinley, Davis, Coltrane, Newsom
  • My Compositional Styles:Modern
  • Notation Software/Sequencers:Sibelius, HighC, Noteworthy Composer
  • Instruments Played:Piano, misc.
Yeah, I can agree with that.
Gloria Patri, et Filio, et Spiritui Sancto,

Sicut erat in principio, et nunc, et semper, et in saecula saeculorum. Amen.

Currently accepting new students: http://www.youngcomp...t32051/lessons/

#7
rbarata

    Member

  • Members
  • 21 posts
It happened what I was thinking...the root is not clear in the chord progression. It is suposed to be C.
I don't know if you ear it the same way as me which is, although the final chord is an Am9, if you put next to it a CMaj you'll notice that it is fells as a natural move. But I agree that the root can be not clear...I felt the same when I was writting it.

#8
Rosenskjold

    Intermediate Composer

  • Members
  • 179 posts
  • Favorite Composers:Ligeti, Mozart, Debussy, Satie, Max Richter, Ólafur Arnalds, Keith Kenniiff, Palestrina, Shostakovich
  • My Compositional Styles:Minimalism
  • Notation Software/Sequencers:Sibelius
  • Instruments Played:Piano

View Postrbarata, on 04 February 2012 - 06:51 PM, said:

It happened what I was thinking...the root is not clear in the chord progression. It is suposed to be C.
I don't know if you ear it the same way as me which is, although the final chord is an Am9, if you put next to it a CMaj you'll notice that it is fells as a natural move. But I agree that the root can be not clear...I felt the same when I was writting it.

There's no problem in not ending on the tonic chord. It just makes it a bit harder to tell which mode it's in, but that's no necessarily a bad thing. You could try and surprise the listener by sticking to C lydian and then slowly transitioning to A dorian, or G major, as a progress in the piece. So it's not necessarily a bad thing, you just need to consider what it does to the piece and use it in a meaningful way.
Ephesians 2:8-9

Quote

For by grace are ye saved through faith, and that not of yourselves: it is the gift of God, not by works, lest any man should boast.

#9
HeckelphoneNYC

    Heckelphone-ally(?) minded

  • Reviewers
  • 2,134 posts
  • Favorite Composers:Sibelius, Scriabin, Stravinsky, Ravel
  • My Compositional Styles:Modern Classical
  • Instruments Played:Violin, Viola, Piano, Cello, Dulcimer
If you think the root is C, then it is C with a sharp 4, or C lydian.

View PostDaniel, on 26 August 2011 - 11:08 AM, said:

Happy Sibeliusing.

http://www.grahamcoh...poser.webs.com/





1 user(s) are reading this topic

0 members, 1 guests, 0 anonymous users