Reading about harmonizing a melody, I have come across the idea that we don't need to change the chords a lot. One author has even said that a chord may not change for several bars. Another has advocated changing the chords during strong beats. I would like to know how we can stay in the same chord if the notes in the melody are always changing and a chord gives us access to only 3-4 of those notes most of the time? Are we supposed to limit ourselves to these 3-4 notes in the composition of additional parts that accompany the melody? And what about notes in the melody that are out of these 3-4 notes? Are they acceptable?
How Can I Keep The Chord The Same If The Notes In The Melody Change?
Started by luderart, Apr 19 2012 07:12 AM
chords harmonization melody
7 replies to this topic
#1
Posted 19 April 2012 - 07:12 AM
#2
Posted 19 April 2012 - 08:37 AM
what ever you want
If you want to fit in the boring and cliché area I recommend as little change as possible. But to keep things interesting some transitional stuff works. check for example this great series of anayses of Bachs entire WTK book 1. This is a particular interesting vid on the C# min fugue: http://www.youtube.c...&feature=relmfu
If you want to fit in the boring and cliché area I recommend as little change as possible. But to keep things interesting some transitional stuff works. check for example this great series of anayses of Bachs entire WTK book 1. This is a particular interesting vid on the C# min fugue: http://www.youtube.c...&feature=relmfu
In case the files are not found: http://mydisk.se/jrc...page/music.html
#3
Posted 19 April 2012 - 02:30 PM
If you want to fit in the boring and cliché area I recommend as little change as possible.
Static harmony is boring and cliché?
#4
Posted 19 April 2012 - 04:13 PM
Static harmony is boring and cliché?
not perse, but when you choose to limit yourself you need other ways to maintain interest.
you know that, I know that, you know I know that, so, why are you asking? are you just in a nitpicky mood?
In case the files are not found: http://mydisk.se/jrc...page/music.html
#5
Posted 19 April 2012 - 08:58 PM
This is a huge topic ... and the advice you got sounds like something from eHow - hopelessly topical to the point of useless. Here are some pieces to provide you with ideas
Perotin
http://www.youtube.c...h?v=PhqWgfGK1Xw
Machaut
http://www.youtube.c...h?v=bZxAqWV7a0A
Lassus
http://www.youtube.c...h?v=U3J4myJxv2o
Schutz
http://www.youtube.c...h?v=0j7F5R44ObA
(very opening and cadences for ideas of how often to change the harmonization)
Bach
http://www.youtube.c...h?v=XVa3nR-2bVc
Samuel Sebatien Wesley
http://www.youtube.c...h?v=0r3BkuxjD6k
Faure
http://www.youtube.c...h?v=wKwHiGg21KA
Schoenberg - late
http://www.youtube.c...h?v=C6x3wWNTltw
http://www.youtube.c...feature=related
Messaien
http://www.youtube.c...h?v=Zz1WjcS0vdU
Ligeti
http://www.youtube.c...h?v=mX1YK_oppt4
Hope this answers your question
Perotin
http://www.youtube.c...h?v=PhqWgfGK1Xw
Machaut
http://www.youtube.c...h?v=bZxAqWV7a0A
Lassus
http://www.youtube.c...h?v=U3J4myJxv2o
Schutz
http://www.youtube.c...h?v=0j7F5R44ObA
(very opening and cadences for ideas of how often to change the harmonization)
Bach
http://www.youtube.c...h?v=XVa3nR-2bVc
Samuel Sebatien Wesley
http://www.youtube.c...h?v=0r3BkuxjD6k
Faure
http://www.youtube.c...h?v=wKwHiGg21KA
Schoenberg - late
http://www.youtube.c...h?v=C6x3wWNTltw
http://www.youtube.c...feature=related
Messaien
http://www.youtube.c...h?v=Zz1WjcS0vdU
Ligeti
http://www.youtube.c...h?v=mX1YK_oppt4
Hope this answers your question
Chris S
#6
Posted 19 April 2012 - 09:21 PM
#7
Posted 21 April 2012 - 12:47 PM
I've noticed that not every note in the melody has to fit with the chord. I usually just make sure the notes on the strong beat fit with the chord and don't worry about the others. Most of the time you don't even notice that they don't fit. Besides, it's good to make it more interesting.
#8
Posted 25 May 2012 - 05:40 AM
http://en.wikipedia....i/Nonchord_tone
Since it seems from your OP that you don't know about these.
This.
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