It's nice how patient you are with the music.  The music is purposeful with a clear direction. You really know how to create an atmosphere - for example at section G on page 7.  I was moved by your music.  Initially, I was going to say that "there were some moments where it seemed you were entirely in your own mind and the music was struck in a loop of meandering tension...." but then it finally arrived at the climax and thought to myself, actually that prolonged passage of tension was worth it. You are an excellent composer. 

Thanks for kind words guys!  As for mentioned lack of development. I indeed feel like its occuring problem for me. When i try to forther develop a track it becomes too chaotic and sometimes it doesnt sound like continuation of a song but whole different piece. I just dont know how to do it properly. So until i figure it out i decided to stick to simpler repeating form. I shall look into music theory you mentioned Thatguy. Maybe there, ill find the answer how to crack this nut😁. Also im not sure if i understand term sample correctly. if sample means not single sound but premade bunch of sounds put together as one then i never used it. Feels like cheating for me😉 It's funny Guardian that you mentioned video games, because if one day i will be blessed by hearing my music in a game, that would be like dream come true for me, soo after all maybe im doing something right😁 And for the influences, there is alot of things but i guess 5 of the biggest would be: rock/metal, various folk music from around the world, electronic music(Hugo Kant, Neroche and soo on) rock/country(bridge city sinners, builders and the butchers etc) and video games/movie/orchestral (Two steps from hell, E.S posthumus etc) Wish you all good day.  

Thanks!  Actually, I am doing a lot of these...like using Musescore shortcuts and stuff... oh...I don't have a keyboard...

MP3     Play / pause Reverie Dance 0:00     0:00 volume   > next menu   Reverie Dance   > next Your description paints a vivid picture of a musical journey that traverses the landscape of emotions, from the tranquil whispers of violin solos to the tumultuous dissonance of tremolo passages. The crescendo and climax, with the emergence of distorted trumpets and harp/glockenspiel runs, add layers of complexity and intensity to the piece, mirroring the ebb and flow of a melancholic daydream.