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    1. Announcements and Technical Problems

      Check here for the latest news, report technical problems with the board, or submit your suggestions

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  2. Upload Your Compositions for Analysis or Feedback

    1. Works with Few Reviews   (3,051 visits to this link)

      Works with 5 or fewer reviews, within the latest 3 months.

    2. Opt-In Works for Youtube   (1,422 visits to this link)

      Do you want to opt your music in for a chance to be used in a Youtube video or short? You can now opt in when uploading your music for review. You can "opt in / out" at any time, and remember, you always own the copyright to your work.

      Please make sure your recording is of somewhat decent quality to be considered.

    3. Orchestral and Large Ensemble

      Upload compositions which use an orchestra or a large ensemble (defined as one requiring a conductor)

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    4. Chamber Music

      Upload compositions written for a small group of instruments (including works with piano), or for solo instruments (other than works for solo keyboard)

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    5. Choral, Vocal

      Upload compositions that extensively make use of one or more singers, whether in the form of a soloist or a chorus

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    6. Piano Music, Solo Keyboard

      Upload piano and solo keyboard works

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    7. Incidental Music and Soundtracks

      Upload video game music, film music and other forms not primarily intended for the concert stage

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    8. Jazz, Band, Pop, Rock

      Upload Jazz, Band or Pop/Rock compositions

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    9. Electronic

      Upload music which makes use of electronic resources

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    10. Incomplete Works; Writer's Block and Suggestions

      Works here must be attached using the forum's attachment method. Incomplete works will not be categorized in the network.

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  3. Community

    1. Masterclasses

      Contains a selection of Masterclasses.

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    2. Music Appreciation: Suggest Works or Articles

      Suggest works and discuss past and/or present events, for the sake of Music Appreciation.  Link to YouTube videos, iTunes links, online articles and composers websites.

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    3. Composers' Headquarters

      General discussion on composer-related issues and music composition.

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    4. Repertoire

      Talk about musical repertoire, from full-blown orchestral works to solo piano pieces

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    5. Performance

      Discuss the performance of music here, such as the characteristics and limitations of different instruments

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    6. Advice and Techniques

      Offer informal advice on methods of composition, compositional technique (e.g., fugue writing, chorale-style harmonization), etc., that you feel may be of benefit and interest to our members.

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  4. Competitions and Collaboration

    1. Competition Hall of Fame

      A list of winning works of all of our competitions

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    2. Monthly Competitions

      NEW Smaller-scale competitions held on a monthly basis

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    3. Collaborative Works

      Work on a piece with other composers

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    4. Challenges

      "Little creative exercises for composers to think outside of the box."

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    5. External Competitions

      External competitions that are not hosted by Young Composers.

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  5. Technological

    1. Music Jotter

      Young Composers has developed a new music software, with a focus on speed, playback and ease of use.  This forum will be used for support, sales questions and bug submissions.

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    2. Music Notation Software Help and Discussion

      Post questions about your music notation software of choice.  Whether it be Finale, Sibelius, MuseScore, Dorico or anything else you may be using.

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    3. Sound Libraries

      Discuss different sound libraries. This is also the place to talk about software samplers, such as EWQL, VSL, GPO, Kontakt and Gigastudio

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  • Upcoming Events

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  • Works With Few Reviews

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  • Topics

  • Posts

    • Cafebabe
      Fantasia in D Major

      By Cafebabe · Posted

      Any feedback?
    • murphybridget
      Piano Trio in C minor, first movement (draft)

      By murphybridget · Posted

      MP3     Play / pause triopf1 SR 0:00     6:14 volume   > next menu   triopf1 SR   > next PDF triopf1 - Full Score You're welcome, and I must say that I enjoyed every minute of listening to your work.
    • WindyCloud
      Battle theme for game

      By WindyCloud · Posted

      This is a truly epic battle theme! It really gets the adrenaline pumping and captures the intensity of a fight perfectly. I can imagine myself charging into battle with this music playing in the background - TechToDown.net
    • Lars
      Microtone harp?

      By Lars · Posted

      As a composer who has worked very closely with a harpist on (admittedly tonal) music, I am very much in agreement with Gardener's approach.  I've thought of this approach, before, myself.  Yes, it will leave some holes in the 24-TET multi-octave scale, but good planning by the composer will help greatly. I'm only now dipping my toes into the problems of quarter-tone orchestral writing that (hopefully) won't be a disaster.  Bowed strings with their unfocused mass (relative to woodwinds, etc.) and vibrato supposedly make for more convincing performances of quarter-tone harmonies.  However, I fear that even professional-level players will be aurally disoriented by the intervals.  One possible solution is to use a harp (treated in Gardener's way) to provide a subtle undercurrent of solidly plucked pitches to help orient the ears of the bowed string players.  Just a thought... That said, I can speak from experience on the matter of the challenge of "mixed scordatura", which is to say scordatura that varies among the individual strings of a multi-stringed instrument:  I composed a short duo for violin and viola - both with mixed scordatura so as to facilitate a Pagannini-ish (albeit much slower) simultaneous left-hand pizz with right-hand bowing of just the right pitches, as well as to facilitate certain quick double-stops to effect four-part polyphony (canons) between the two players.  To be safe, I provided TWO versions of the score and parts:  One version expressed the notes corresponding to standard fingering.  The other version expressed the actual sounded pitches.  Initially, the producer forwarded only the version that expressed the fingering (not the sound) - and soon I got the panicked e-mail because the players have perfect pitch and were thoroughly confused by the discrepancy between what they saw and what they heard!  Fortunately, I asked the producer to send the OTHER version of my score and parts to the players - and bam - an amazingly good performance ensued.
    • barko
      Potato Chip Waltz

      By barko · Posted

      I've added the score.
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