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@PeterthePapercomPoser Just did those! Thanks!

entry: Ghost Town Requiem Melodies Themes Motives Harmony Chords Textures Form Development Structure Time Originality Creativity Score Presentation Instrumentation Orchestration Playability Execution of Given Challenge Taste 10 8 10. 10 10 10 10 10 Average Score:9.8 very good Review: Execution: The entry meet the core requirements and established correct mood for the competition. Score: The score was delivered to reviewers in a timely manner. No notation errors and engraving errors to be found. Textures: The piano has faster chordal, homophonic part in the middle of piece where as the winds carry the melody( Reh. c) At the begining it feels like more like conversation between the parts, independent parts. Form: There is a clear sense of form throughout this piece. I have no remarks on the other categories.

Entry:Woodwind Quintet No. 1 Melodies Themes Motives Harmony Chords Textures Form Development Structure Time Originality Creativity Score Presentation Instrumentation Orchestration Playability Execution of Given Challenge Taste 6 7 6 10 9.5 8 8 6 Average Score:7.5 Average Harmony, Textures, Chords: This piece explores the boundaries tonality and plays with sense serialism, chromatism, and dissonance. However, it never quite full fills that modern sense of what atonal and serialism should be. The dissonances seem to resolve, which is not common in serialism and atonal music. If the piece push beyond further, it could achieve so much more. Score: The score was laid out in professional manner. It was easy to read. The only thing that noticeable was odd notation with rest between beats. Execution: Meet the core requirements of the challenge. However, the Halloween theme or mood was not meet. Orchestration and playabity: If this given to woodwind musicians, the odd notation could be problematic. They might be not know how to count that. Thematic material: Usually in serialism or atonality, certian methods are used to devopl the core idea. I feel these methods were not used, but could be used. Originality: This is certinally a creative and orginal piece. Taste: the slowiness of piece made harder to listen to. If the piece had achieved serialism and atonality, then that it would be better. Form: It lacked proper strcuture.

I LOVE variations. Webern isn't necessarily my favorite composer musically, but philosophically, the ability to say a lot with a little is definitely my style. I think you've done the same thing here. That being said, I'd actually suggest you make the Theme a little longer. Even Paganini's 24th Caprice theme has a clear A and a B section despite being so short and I think it really helps to balance the rest of the piece. Whether or not you incorporate it a lot into the other variations is up to you, obviously, but starting with something a little fuller might be nice. Who knows, you appear to be proficient enough to maybe even try to see if you can notice any commonalities in your variations and derive a B-section theme from that; that would be super cool if you could. Generally speaking, this is super wonderful to listen to, you should be very happy with it! I'm always a sucker for good counterpoint, so I think I like Variation 1 the best, but Variation 2 had so much beautiful stuff (see below). One of the hardest things composers struggle with (myself included!) is balancing moving lines and harmony and you have an excellent command of it! Other stupid taste things that my ears caught when listening: Theme, mm. 5–6: The contrapuntal lines of both V1 and V2 in m. 5 feel like they should convene and the jump in V2 feels a little sudden. A small figure to support that upwards movement could help. Var 1, m. 26: It could just be the soundfont, but is there any way you can throw a G in there? The <F, Bb, C> progression feels oddly quartal amidst the rest of the tonality. Var 1, m. 51: The parallel minor ninths between V2 and Cello that "resolve" to the octave feel a little odd to me, maybe because the supported harmony isn't particularly clear either (not that that's a bad thing). Like, the cello seems to want to support ii˚6, but the upper voices are on v. Var 2, mm. 1–2: In contrast, I love the parallel major sevenths between the cello and viola at the beginning of this variation. Such a strong and confident opening gambit. Var 2, mm. 5, 15: Maybe you're looking for "portamento" in the cello? If I saw glissando, I would think the entire dotted quarter's length would be spent sliding. Var 2, mm. 8–9: Love the little V1 figure! Could be pizz. for a little extra definition? Var 2, mm. 21–end: This is so wonderful. My body got chills and the contrast is so well set-up that the big change felt effortless. Well done! For the cello, if might be worth specifying if you want a rolled pizz. or not, because they'll see that and ask. Var 3: Someone listened to Ravel's quartet, eh? I think, here, the contrast between the tremolo and the rest of it works well, but could be better supported for contrast. The fifth movement of the Ravel, for example, keeps a little tremolo (or basically tremolo) figure throughout to keep that energy up. Even if you don't do that, a line that moves some more would help set the contrast a little better, in my ears—maybe not even the first time, but the second time? Like, the second movement of Symphonie fantastique does that implicitly with a second melody that is inherently faster, with 16th notes.

Hi, I'm a 17yo self-learning composer. Looking for all kinds of advice and feedbacks. I composed this piece a year ago. I also open to all learning opportunities / recommendations. This is the youtube video, enjoy!

Variations on Dies Irae.mp3 I haven't quite been feeling the compositional drive recently, but I did try writing something for one of the informal group competitions over on MuseScore that I'd thought I'd share here as well. I would have definitely liked to write more variations but I was kinda lazy and went with three, which I hope contrast well with each other. I'm always revising my work, so is there anything that you like/dislike about this? As a pianist, I'm also not good at composing for string instruments (this is my...second ever attempt at a string quartet work?) and would be happy to receive feedback on my string writing too! I feel like I may have been too enthusiastic with the slurs and probably should remove a bunch of them... Variations on Dies Irae.pdf

And... I am done! Thank you and good job to everyone who has joined the competition! I am looking forward for the Christmas Competition!

Do you want to take some maths lessons from me? PLEASE............................................................ Anyways, to my scorings: Melodies Themes Motives Harmony Chords Textures Form Development Structure Time Originality Creativity Score Presentation Instrumentation Orchestration Playability Execution of Given Challenge Taste 7 7 8 7 10 9 7 8 Average: 7.875 Average

Melodies Themes Motives Harmony Chords Textures Form Development Structure Time Originality Creativity Score Presentation Instrumentation Orchestration Playability Execution of Given Challenge Taste 10 9 6.5 9.5 7.5 7.5 8 7.5 Nice! Very good. Average: 8.1875 Above Average

Melodies Themes Motives Harmony Chords Textures Form Development Structure Time Originality Creativity Score Presentation Instrumentation Orchestration Playability Execution of Given Challenge Taste 8 9 9 10 7 0 6 6 DO YOU HAVE 10 FINGERS ON YOUR RIGHT HAND? AND WHAT IS YOUR HANDSPAN? WHERE ARE YOU FROM TO CALL THIS A NATIONAL DANCE?!?!?!!?!?!?!?!?!?!!?!?!?!??!!?!?!?!?!?!?!?!?!?!?!?!?!?!? ANyWaYs,,,,,,,,,,,,,,,,,,,,,,,,, AveRaGE: 6.875 And also I think I got brain damage, so maybe 6.5.

Melodies Themes Motives Harmony Chords Textures Form Development Structure Time Originality Creativity Score Presentation Instrumentation Orchestration Playability Execution of Given Challenge Taste 8 8 6.5 9.5 10 8.5 9 9 Average: 8.5625 Above Average

Melodies Themes Motives Harmony Chords Textures Form Development Structure Time Originality Creativity Score Presentation Instrumentation Orchestration Playability Execution of Given Challenge Taste 7.5 6.5 8 8.5 10 (nice!) 6.5 7 8 Average: 7.75 Average

Melodies Themes Motives Harmony Chords Textures Form Development Structure Time Originality Creativity Score Presentation Instrumentation Orchestration Playability Execution of Given Challenge Taste 8.5 7 6.5 8 7.5 7 6 5 Average: 6.9375 Below Average

The harmony and colours I get from this are gorgeous (bar 12 tickles my brain, but all the movements from chord to chord are exquisite), as well as the appearance and disappearance and reappearance of that 'swinging-pendulum' motif, as Henry pointed out. I'm getting extra ideas for what other textures to put in my slow movements with what you've presented in b. 40 🙂, and I have to say that the piano strings from b. 52 onwards are an excellent touch. Seeing that this is just an intermezzo, I'm sure the other movements are just as interesting! I wonder how this fits into the ballet...

This is just a reminder post for those wishing to receive an "Ardent Reviewer" badge that by Monday 11:59 pm PST you might still need to review some works! @Omicronrg9, @Wieland Handke, @Henry Ng Tsz Kiu, @chopin, and myself @PeterthePapercomPoser have reviewed all the entries (minus their own) and will receive the "Ardent Reviewer" badge! @TristanTheTristan - you still need to review Thatguy's piece and the last five pieces in the list. You will receive the "Ardent Reviewer" badge! @HoYin Cheung - you've only reviewed two pieces. Do you still intend to review the rest? @UncleRed99 - you still need to review Omicronrg9's piece and the last six pieces in the list. @Kvothe - you still need to review Maxthemusicenthusiast's piece and UncleRed99's piece. @MK_Piano - you still need to review sebastian Pafundo's, Maxthemusicenthusiast's, Kvothe's, Thatguy v2.0's, and the last five pieces. @Thatguy v2.0 - you still need to review Micah's and Dima's pieces. @therealAJGS - you still need to review Maxthemusicenthusiast's, TristanTheTristan's, and the last two pieces. @Cosmia - you've only reviewed three pieces. Do you still intend to review the rest? Of course, we're all grateful for your time and your willingness to review however much you want to! Thank you for making this competition fun and instructional for everyone!

fl studio

As for christmas event, I am usually busy around that time, so I probably opt out.

There used to be more reviewers, but it seems it seems they have moved on. 😞 Also, at times, activity at is rather slow. Young composer strive for quick feedback. That they can improve. No feed back will not help them. 😞

Melodies Themes Motives Harmony Chords Textures Form Development Structure Time Originality Creativity Score Presentation Instrumentation Orchestration Playability Execution of Given Challenge Taste 6.5 10 10 10 10 9 9 10 Ah, this piece is right up my alley. I could tell this is perhaps Ravel inspired, and this is a style I really enjoy. Id say that the melody is weak, or just missing, however, you do a great job at still keeping things very interesting, purely with your structure and harmony. Speaking of harmony, amazing and well done! The mood of the piece brings on a sense of high tension and release. Technically, this is hard to play, but given my experience with piano and this type of style, its very doable, especially at this slower tempo. Does it remind me Halloween though? This is definitely more "art style" music, however, it offers chilling sections, with some released tension. After all, in horror situations, no one's being chased for the whole movie, right? There always is a sense of reprieve! Melody: While there are some instances of motifs, I found this to be more of a mood piece. But you are able to keep it interesting. This is due to your structure, and harmony. Harmony & Structure: This is where you shine, your harmony is what drives this piece, but the structure is what keeps everything legible and easy to follow. Originality and Score Presentation: Score is beautiful, nice use of cross staves to keep the music easier to read, and tuplets help group your rhythms. Playability: Very difficult to perform, but clearly laid out and with a lot of practice, there should be no problems here. The second movement could be trickier because you have more key changes. Execution of challenge: Eerie atmosphere, tension buildup and release. Great elements to get into the Halloween spirit! Taste: I absolutely love this style, I started getting into Ravel which influenced some of my later compositions. I feel like you do an excellent job at capturing this style.

@ferrum.wav What daw do you use?

The score goes only up to measure 36, you can disregard the rest

Melodies Themes Motives Harmony Chords Textures Form Development Structure Time Originality Creativity Score Presentation Instrumentation Orchestration Playability Execution of Given Challenge Taste 10 8 10 10 10 9.5 10 9 VERY fun melody, highly original, clear structure and clearly able to create that Halloween vibe in a fun whimsical way! And I love the way you are able make use of your instruments to your advantage to help progress the piece. The breaks in your music also feel natural, and help build the suspense. Melody and Harmony: Beautiful melody, it's perfect! The supporting harmony is fun, clear, and helps move things along. Form and originality: Your music reads like a book, it has a clear intro, body and ending. The natural breaks are equivalent to paragraphs, and you build suspense this way much like a novel. Score Presentation & Playability: Good structure, clear music notation, reasonable tempo and natural breaks all contribute to the high score presentation + playability metric. Execution and taste: Personally I enjoyed the full piece, and the general mood reminds me a lot of a lighthearted Halloween dance! The breaks in this piece also contribute to the mood changes, which helps accentuate your catchy melody.

yeah i could see that actually. a large part of the main theme consists of a downward sequence of the motif. yet, the part that teases it repeats the motif a lot too. so, i get not catching the first statement of the main theme. though i've tried to signal it by putting it after the climax of the intro with dynamic and textural contrast this is actually parts of my weakness i've been trying to work on: letting themes breathe more with rests or signalling the end of a part clearly. the time limit is also a factor here cus i'd give longer rests to more sections if there was more time.

hahahaha, OH THE SHAME WILL BE SEEN

Your caliber of writing deserves to be entered with all the others, you're great! Thanks for the recommendation, I'll check out his music