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That sounds very pleasant. I always think these types of buildings are wonderful.

Here.

This is present because I tried to include the harmonic characteristics of both Carol's at once which didn't always result in nice consonances. Thank you for your review!

Pretty awesome how you were able to seamlessly merge the themes together. Fun dissonance sprinkled in every so often, which could very well be hints of a Bad Santa making his way through town. Or perhaps the Grinch is waiting nearby to cause mayhem. But overall the themes are pleasant and you changed them up to incorporate your own voice. The ending is very pleasant and have fun harmonies. But I do hear a tiny bit of sharp dissonance hidden in the passage. It sounds like something didn't quite go as planned, but it was too subtle for Santa to notice.

Here is my first submission!

I have now done this aforementioned mash-up! Thanks for the idea @Bill G! Here it is:

I've taken the Christmas Carol's "Angels we have heard on high" and "Gdy się Chrystus rodzi" (a Polish Christmas Carol which translates as "When Christ is being born"). I wrote two variations on this Polish Carol last year and you can find them here to become more familiar (if you want): There was some confusion in that thread about which Carol I was actually working on (LoL) owing to the fact that both of these Carol's prominently feature the Latin lyrics "Gloria in excelsis Deo". But that was basically the inspiration for putting them together in this mash-up. I painstakingly entered multiple stanzas of the Polish, English and Latin lyrics into the pdf score with all the correct accent marks and whatnot so let me know if it's clear! Thanks for listening and comments, suggestions, critiques or just observations are always welcome! Merry Christmas and I hope you enjoy listening! ☃️

I'm game. Vamos a ver que podemos hacer.

I like this -- my 1st ends with the melody on Ab, so I will probably start the profession from the Ab instead of the Eb.

Thank you!! This sounds great Both songs are slower, slightly hymn-esque pieces

“ The calm before the storm, the feeling of eating gas station sushi except instead of intestinal problems it’s your ears getting that treatment. Sonic diarrhea is a seven minute work consisting of random noises, groovy melodies, and the sonic equivalent of having a horrible stomach ache… it’s great for the performers too. They get to have a little bit of fun. Structure: this is treated like a Rondo if you may, (ABACA) we have the sonic diarrhea theme (A) , a calmer theme (B) and a very jazzy theme unexpectedly (c). Enjoy!”

I think mozart 25 is great too!

Another way would be to move to Abmin for a moment and then, from there, to its parallel major of Cbmaj (enharmonically equivalent to Bmaj). I think it could be quite smooth specially if you go through the V64 --> V progression (B/F# --> F#). For example: I guess this couldn't be considered a lush progression, though. As @Monarcheon suggested, for a lush progression it might be better to start with some line (maybe melody, or a strong bassline that you know points towards B major, or both) and start filling in the remaining voices in any way that sounds good.

I'm more of a voice-leading kinda gal, but I came up with this on the fly. I have no idea if it works in the context of your own work, but in general, I'd advise starting with moving lines that mesh well, then filling in gaps. Happy accidents happen all the time!

@PeterthePapercomPoser Hmm, I'm not exactly sure what you mean; I don't see anything missing on my end. I didn't replace the file with anything, just changed my explanation!

Working on a small piece for string quartet + flute that modulates from Ab Major to B Major. It's a medley of two songs...the first song ends on the pitch Ab, and the 2nd starts on D#(Eb). 1st song is in Ab, and the 2nd is in B Major What is a lush progression that will modulate between the two keys?

Thank you very much for your comment, Daniel, and sorry for the delay in replying (I'm in the middle of exams). I'll take a look—as I've been doing—at the works of the other composers, but now interacting with them more. Cheers!

Greetings All: Sharing my Viola Sonata on this Thanksgiving-Eve. The style I was trying to emulate is early Beethoven, in my own inimitable way. The parts are equal - in fact, as was often the case in Beethoven's sonatas, the Piano takes the upper hand about as often as the Viola does. Hope you enjoy! Composed: April 19 - July 4, 2022 at Austin. Style: Classical, ca. 1790-1800. Duration: 18:10. Electronic Rendering by Finale 26 music notation software’s "Human Playback" with NotePerformer 3 artificial intelligence assisted interpretation.

Well, both the Rhythm and Tuning cards pertained to her finding an outside pattern to accord with - so perhaps, in the end she found it?

This could be a study on how to use slurs effectively in bowed instruments. How did you get the slurs to sound so good btw? The microtones add an interesting color to the piece and the rhythms are fun to listen to. You used 5/8 with a purpose. Also, the ending is so normal and calm compared to everything else, does this mean that love was found after a chaotic journey?