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Showing content with the highest reputation on 11/26/2025 in all areas

  1. I wrote this piece with the goal of submitting it to a competition. However I could not get myself to format the music to my preferred level, and a general disdain for the form of the piece, so I decided not to submit it. I have worked quite hard on this piece, bringing out many new textures for myself. But I am at a point where I am too entrenched into this piece to make the large formal changes I want. So I would like to share it with you all. This piece is about a Whale and a Whaling ship, and their corresponding battle, capture of the whale, and bringing it home. I thought this might be an interesting idea for a competition, with a lot of dramaticism inherit, and generally a little easier for a listener to make the connection. Let me know what you think of the piece. I'd love to hear your input on the different textures throughout. I think this piece has some pretty awesome moments and I hope you guys will let me know.
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  2. “It is a very difficult topic for me since I have so many beloved concertos. Especially when I have to choose among so many that Mozart wrote. I consider Mozart and Beethoven to be the top, but I certainly also have some from the Romantic composers that I adore. I will definitely include 2 or 3 by Mozart. And the ones I don’t include, I feel like I will be doing them an injustice, but what can I do—I have to choose some.” 1. Μοzart Piano concerto no 25 K503 . ( This is seriously my personal favorite piece in general, i cant describe what that concerto means for me ) 2. Mozart Piano concerto no 24 K491 3. Mozart Piano concerto no 17 K453 4. Beethoven Piano concerto no 4 5. Ok here i have to choose and one of the romantic era that is my favorite and this concerto is Brahms piano concerto no 2 PS: “Ah, if only Schubert had written a piano concerto. How much I would have loved that.”
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  3. This one is a little bit minor, little bit dorian, kept it on the simpler side. 😄 I hope you enjoy, and as always all comments and thoughts are welcome!
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  4. I really love this. Some harmonies are so interesting and gave very special timbre and atmosphere to the whole prelude. Well done my dear friend. I really enjoyed it
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  5. Actually now top six sould also have Beethoven 5.
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  6. I agree! I love how Debussy moved his chord progressions along. Thanks for listening I love this too. The sneaky parallel fifths in that string of chords sounds "shiny" to me, my brain kept wanting me to tinker with the counterpoint but I ultimately went with my ears. Thanks for listening, I'm glad you enjoyed it!
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  7. This is quite an accomplishment, and intensely beautiful. I'm not qualified to say much more than that because of my rooting in Classicism, but you have my compliments. I hope the dedicatee appreciates it.
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  8. harmonies in bar 3 (loove the surprise Csharp) and 34 (yay raised sixth!!!) are my faves 🙂 whole thing has a wonderful melancholy vibe. the tresillo rhythm of the middle section is a fun vibe to bring into it
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  9. Very nice! It sounds to me a bit proto-impressionistic, like a young Debussy.
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  10. Idk, I still think the flow is off. Maybe its just a stylistic preference, but the cadences into rests, then starting back up again threw me off. I kept thinking the music ended, but then it kept going. It's nice as it is though, its a really great picture type of piece, like a tone poem. I just think it could have been shorter if you like it the way it is, to me its begging for contrast. Not necessarily something crazy, like throwing green paint on a black and white drawing. But for instance, your harmonic texture is nearly the same throughout. You change chords at the same rate, which makes it monotonous after a while. That can be fine, but we never went somewhere else, so it staled a bit to me. It was very pretty, and as always your coloring is fantastic. The sax is always a nice touch, and Im a fan of your style! Thanks for sharing bruh
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  11. Was still thinking of it, and will get to it, but yeah; life is getting ahead of me!🤪
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  12. Hi, I didn't intend for the piece to be in any particular key. Regarding the repetitions and the irritability you felt, I'm happy to hear it, since that's what I was aiming for with the piece: for the listener to feel that discomfort, which I associate with psychotic clowns burning the listener's brain.
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  13. Sounds like a clichetic soap opera or cheap romance 🤪
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